rock abstract

My 8×10 black and white negatives arrived today from Sydney, just before I was to leave Adelaide for Victor Harbor for the weekend. Several negatives have light leaks (damaged dark slides) or are fogged (dunno why) but most look okay. I’ll scan them tomorrow.

It was very still and muggy along the coast around Kings Head which is where we went for our evening walk. The rain had passed, the sticky flies were everywhere, and there was no cooling wind amongst the rocks. But the tide was low, lower than I’d ever seen it. So I was able to get amongst rocks that would normally be surrounded by surging water:

rock abstract
rock abstract

Ari and I were quite distressed by the heat so we returned to Kings Beach where we were able to cool off by paddling in the sea. Low tide means that I can take the 5×4 Linhof and the heavy duty tripod to this spot over the weekend.

small gestures in specific places

Ari and I have come down to Victor Harbor to escape the Adelaide heat and to scan a 5×7 negative for a print that has been selected for the Adelaide City Council’s Snap Your City competition. It is refreshingly cool and pleasant on the coast. Summer has arrived in South Australia.

monolith, Victor Harbor

This seascape work is topographical in that represents the surface of a landscape and a place–topographical in the sense of place (topos) and modes of perception (tropos). These are small gestures in a specific place.

Gestures in the way of a map that is not ‘mimetic’ – ie., will not straightforwardly represent the actual space, but one that reflects or expresses the distortions and omissions of the individual’s personal experience of living in this place now being affected by climate change.

searching

Suzanne is currently in Brisbane for a conference whilst Ari and I are down at Victor Habor. We return to Adelaide today.

The days are still coolish, overcast, and with south easterly winds. The tide has been very low at this time and so we can venture further out on the reef.The evening walks now happen between 6pm and 8pm because, with daylight saving, that is when the afternoon light along the coast softens.

The afternoon walks have been spent looking for material for the gallery and, in particular, this rock form which I’d snapped on a walk the last time we were at Victor Harbor. It looked suitable for the Victor Harbor book, and I wanted to see whether it was possible to reshoot it with a large format camera.

white rock form

It was a small shape and I couldn’t remember where it was on the rock foreshore between Petrel Cove and Kings Beach. It took two evening walks and 4 hours to find it. I finally found it last night, around 7.30 pm, just as the sun was disappearing behind the hill.

coastal debris

On Tuesday I made a quick visit to Victor Harbor to install a new modem for Encounter Studio.

Ari and I managed to do an evening walk along the coastline west of Petrel Cove and east of Kings Beach; one that involved scrambling amongst the granite rocks on the foreshore and walking along a bit of a goat track on the cliff face that Ari had found. I was looking for a location at low tide to do some sea abstractions.

rusty gas bottle

I’d seen this rusty gas bottle a year or more earlier and I noticed that the rust had become more intense. I was going to walk by because the digital photo I took then was pretty ordinary and bland.

rock pools

Before we returned to to Adelaide from Victor Harbor Ari and I walked amongst the rocks just east of the road to Kings Beach. I was wanting to do more sea abstracts. I recalled that there was an area of the coast with a small stream from the hills flowing through the rock to the sea and that the rock pools had some strange colours.

The pools looked weird and strange. Were they were conducive to being photographed in the late afternoon?

pool abstract

How would the rock pools photograph as abstractions from nature? What kind of abstractions would emerge? I’d been glancing through Lyle Rexer’s The Edge of Vision:The Rise of Abstraction in Photography–it’s the first book in English to document and contextualize this canon.

Though some of the pictures are formal rather than abstract, and are concerned withe the medium of photograpahy I’ve been impressed by the diversity of the work.

salt abstract

The weather has been very stormy at Victor Harbor these last couple of days–cold, wet and very windy. I didn’t bother to do much photography on the morning and evening walks as it was mostly raining on these occasions.

salt abstract, Victor Harbor

The pictures that I did take before the wild weather came in have been deleted. They were mostly sea abstracts that I took for the book I’m working on and they were terrible.

Encounter Bay: 7am

Ari and I cruised the beach at Encounter Bay this morning at sunrise. It was a warm spring morning. The tide was low, the sun light was soft because of the cloud cover, and there was no wind. There was no one around and we had the beach to ourselves. The clouds disappeared and the wind came up after we’d finished our walk.

These rocks are along the foreshore. They are part of a large mass of rocks that had been put there by the council long ago to protect the footpath along Franklin Parade from the sea. They gleamed in the early morning light. I couldn’t resist taking a snap.

7am Encounter Bay, Victor Harbor

I’ve come down to Victor Harbor after hanging some pictures of the Fleuriu Peninsula in the Tin Shed Cafe in McLaren Vale as part of the Shimmer Photography Festival. It’s very low fi because I cannot afford to have a large exhibition with a substantial body of work. I have to work towards it.

a “Kodak moment”

I just couldn’t resist. I was seduced by the light.

Sunday had been overcast, still and cold at Victor Harbor and on the evening walk around Petrel Cove the sun came out briefly. It illuminated the rocks at the base of Rosetta Head just before it sunk behind the hills. So I took a quick snap:

Rosetta Head, Victor Harbor

It is one of those “Kodak moments”–those most intensely personal moments of our lives that needed to be recorded for memory? Those times when you reached for a camera to stop life for a second, to grab a memory. Remember those when film was king and Kodak was dominant?

Analogue photography then became a piece of nostalgia with digital.Nostalgia turned into something old-fashioned. Old-fashioned became unfashionable. The unfashionable has become hip.

at Newland Heads: digital photography

We spent the long weekend just passed (Queens birthday?) down at Victor Harbor. I used the time on the afternoon poodlewalks to refine the focusing on the Sony NEX-7 and to explore its image quality. What I wanted to know was whether could I get most of the pictures I was taking in focus and, secondly, whether the larger sensor could handle landscape detail as good as 35mm film.

rock pool, Newland Cliffs

I mostly succeeded with the focusing issue–all were in focus. And I was pretty happy with the image quality of this picture. The 24.3 Megapixel sensor produces images that are an improvement on those produced by the 10 Megapixel sensor of the old Sony DSC R1 that I used to use.

beyond Kings Head

We are down at Victor Harbor for a couple of days–the last few days of Suzanne’s holidays. We return to Adelaide on Sunday.The days down here are being spent painting the living room of the weekender and gardening.

The autumn weather is still, overcast and temperate–it’s good coastal landscape photography weather. So yesterday afternoon and early this morning I walked along the Heysen Trail past Kings Head on to the rocky outcrop foot of the Newland cliffs. This is where I’d been photographing before the Queenstown trip.

Victor Harbor, near Kings Head, digital, Olympus, Newland cliffs

Though my Sony NEX-7 has finally arrived, I cannot get it to work with a Leica 35mm lens. I’m finding the user interface to be very complicated indeed. So I took the 5×4 Linhof this morning plus Suzanne’s Olympus XZ-1 digital camera for further scoping.