Bam, Pow, Zapp

Our responses to adverts in the city is often a blase one. In moving around the city we rarely distinguish individual advertisements from those of other campaigns and rarely `read’ the advertisement in a classic sense. It’s a defensive mode.

Pulteney Grammar

This is in spite or advertising companies producing urban mappings of the trajectories, speeds, social groups, and experiences in ways that are instrumentally oriented towards selling or promoting those urban `texts’ they write as efficient consumer-targeting material.

about monsters

I couldn’t resist taking a photo. The street art appeared on the wall in Wright Street over the weekend. When I saw it I thought of the well-known phrase attributed to Antonio Gramsci: “The old world is dying away, and the new world struggles to come forth: now is the time of monsters.”

I have little idea why I thought that, then and there. It popped into my head.

Be the Bigger Man

Maybe it is because so much street art depicts the monsters. They seem to come from the unconscious. Anyhow, I went back home, grabbed the camera and took a snap, as it was getting dark.

Topham Wall

At long last.

With a new Lord Mayor–Stephen Yarwood — the Adelaide City Council has chosen six sites to be renewed with street art – the Hindley St public toilets, Morphett St bridge west wall and pylons, James Place public toilets, Rundle St UPark York St wall and Topham Mall by the southern entrance.

figures+bars

This is a detail of prisoners and guards at Topham Wall, Topham Mall carpark, Adelaide CBD. The fullscale work–a paste-up by Jason Fox— can be seen here.