Tag: photos

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Lake Pedder + Gordon Dam

One of the reasons for going into the Southwest National Park was to see the Gordon Dam and its effects on the ecology of the region.

Gordon Dam

Clearly the dam is the iconic symbol of modernity in Tasmania. A celebration of engineering and hydro power. But keeping the lights on in Strahan comes at a terrible cost—the flooding of Lake Pedder and the damming of the Serpentine and Huon Rivers to ensure high water levels of Lake Pedder so that there can be a continual flow of water from Pedder into Lake Gordon via the McPartlans Pass Canal to drive the power station’s turbines.

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The Great Lake

One of the areas that I’d wanted to visit in Tasmania was the barren and often bleak landscape around the western edge of the Great Lake in the Central Highlands region. I’d seen it briefly on a previous trip last year and thought that it looked interesting.

near the Great Lake

The highway, which runs along the western side of the Great Lake, is sparsely populated with groups of fisherman shacks. I could only explore this architecture briefly as a rain storm was sweeping in from the west. There was no chance of using the 5×4.

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wandering in Oatlands

The only real opportunity I had to do a photowalk yesterday on the trip from Hobart to Tasmania was at Oatlands, a historic Georgian town in Tasmania’s Midlands

wedding dress, Oatlands

The westerly wind was strong and bitter. It was extremely chilling so I didn’t hang around for too long, exploring the Georgian architecture that the town is known for.

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preparing for Tasmania

I’m down at Victor Harbor tonight packing my camera gear and loading 5×4 sheet film for my forthcoming trip to Tasmania. Half of the time on the island has been structured around photography in Queenstown.

fence

We went for an evening walk along the beach and amongst the houses set back from the beach. The sun was shining but the southerly wind was cold. It was jumpers and jeans –it was such a contrast to the warmth of Adelaide. I shivered, thinking how cold the south west part of Tasmania is going to be.

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architectural photography

Now and again on the poodlewalks I take photos of the neighbourhood architecture in an exploratory sort of way. Some of the architectural forms in the built environment is visually interesting–both the heritage buildings and the postmodern ones. Modernism is exhausted.

However, I haven’t really gone that step further and started taken architectural photos with a view camera, even though I’ve uncovered some possibilities.

SAMFS Adelaide fire station

I have intended to do so–its the traditional way is it not?—but I haven’t explored the different perspectives in architectural photography, or rather the different ways of photographing architecture.

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camping in Adelaide’s parklands

Wirranender Park in the Adelaide parklands is a favourite spot for transients to construct makeshift campsites. This is especially so for those aboriginal people who come down to Adelaide from their homeland in outback northern South Australia, and are unable to find temporary accommodation.

Aboriginal camp in parklands

As I mentioned in an earlier post Aboriginal people camped—ie., sleeping rough–- in the Parklands is a controversial issue in Adelaide.

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Wirranendi Park

We returned to exploring Wirranender Park in the Adelaide Parklands on Sunday even though it was raining. I wanted to see some of the sculpture in this public spaces; a space that looks as if it is being designed as an urban forest with an environmental trail.

Scattered along the trail are a large number of rock sculptures by Silvio Apponyi and other sculptors, including this piece by Sally Weekes:

hush

An interpretation taken with my 5×4 Linhof Technika IV. This Wirranendi area of the Adelaide Parklands was once covered by Eucalyptus porosa or Mallee Box Woodland. This consisted of widely spaced gums, many acacias, native apricots, quandongs, saltbushes, native herbs, peas and lilies and many types of grasses, providing habitat for many native animals and birds.

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West Terrace Cemetery

I had intended to take my cameras on a heritage walk at the old Torrens Island Quarantine Station at the mouth of Adelaide’s Port River, this afternoon, but the city was gridlocked due the Clipsal 500 car race. It took me ages to get out of the CBD and by then it was too late to make the run down to the Port before 6pm.

So the poodles and I went to the West Adelaide Cemetery instead, and I picked up my photography from where I had left off in the early summer:

West Terrace Cemetery

We forgot about clock time during our wanderings and I didn’t realize that all the gates had been closed. We were locked in and the old hole in the fence that we’d often used had been repaired. We were locked in, so we had to search for a place in the fence for the poodles to scramble under the wire fence and for me to climb over it.

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early morning

I was out at dawn this morning lugging the Cambo 5×7 monorail, Linhof tripod and computer bag of double dark slides down to Kings Beach to have the camera set up before the early morning sunlight became too intense.

There was just enough cloud cover to keep the sun covered long enough to give me the extra time that I needed to set the camera up:

5x7 Cambo

I had around a 20 minute time frame in which to work to take the photos before the early morning light became too bright.

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at Kings Beach

Dusk on Saturday was the ideal time to take photos with the 5×7 Cambo monorail of the coastline of the southern Fleurieu Peninsula. It was very still, very warm, and there were amazing colours. It was magic time. For some reason I was exploring the rocks around Kings Beach with the poodles with my point and shoot Sony. I returned home around 7pm–just when I should have been using the large format camera.

The weather on the southern Fleurieu Peninsula changed the next morning:–the strong south westerly winds made impossible to photograph along the coast with a large format camera.

rocks, Kings Beach

As I mentioned in my earlier post on Kangaroo Island my shift back to large format was a result of the poor quality of the pictures I achieved with digital on the Kaangaroo Island shoot.

Over the next couple of years I shot only in raw, shifted to Apple computers, acquired Lightroom, started using medium format cameras more extensively–I bought a Rolleiflex 6006 system. I then picked up my old large format cameras rather than spend $15,000 to $30,000 on a medium format digital camera.

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