colour Archives - Page 7 of 11

November 22, 2012

Nth Terrace reflections

Ari and I went wandering down the west part of the CBD. I had to drop a book— Formless: a user’s guide by Yve-Alain Bois and Rosalind Krauss-— off at the University of South Australia library library and I wanted to scope the new South Australian Health and Medical Research Institute centre (SAHMRI) currently being built on Nth Terrace.

I’ve tried a few of the more conventional or modernist approaches to photographing the SAHMRI but none have worked. I’ve been frustrated by this as the restricted access to the site provides a photographer with little options.

Maybe this can help to make the shift away from a Greenbergian high modernism that emphasises “significant form,” “the autonomy of the work of art,” “pure visuality,” “transcendence,” the quest for “the essential,” etc without embracing the anti-aesthetic position of postmodernism in the arts.

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November 19, 2012

searching

Suzanne is currently in Brisbane for a conference whilst Ari and I are down at Victor Habor. We return to Adelaide today.

The days are still coolish, overcast, and with south easterly winds. The tide has been very low at this time and so we can venture further out on the reef.The evening walks now happen between 6pm and 8pm because, with daylight saving, that is when the afternoon light along the coast softens.

The afternoon walks have been spent looking for material for the gallery and, in particular, this rock form which I’d snapped on a walk the last time we were at Victor Harbor. It looked suitable for the Victor Harbor book, and I wanted to see whether it was possible to reshoot it with a large format camera.

It was a small shape and I couldn’t remember where it was on the rock foreshore between Petrel Cove and Kings Beach. It took two evening walks and 4 hours to find it. I finally found it last night, around 7.30 pm, just as the sun was disappearing behind the hill.

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November 17, 2012

on a tram

When I had to return the zapped out modem from Encounter Studio to Internode on Thursday I decided to catch the tram into the CBD rather than walk in. I wanted to take some more photos of the street through the tram window, as it was overcast and the light was soft.

These tram photos are difficult to do because of the constraints of the exercise: it is hard to predict what is happening on the street, and more often than not the composition is lousy. Most of the pictures taken are quickly deleted. I generally take the photos when the tram has stopped at an intersection and is waiting for the traffic lights to turn green. This gives me some form of control in what is a very fluid situation.

It is not possible to take this kind of work in Adelaide on how people move within metropolises. Adelaide is a country town, not a metropolis.

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November 4, 2012

picking up the pieces

I’ve recovered enough from my illness to start photographing again using more than a small hand held digital camera. I feel that I’ve lost most of this year and I’ve a deep sense of being wasted. There was so much that could have been done (especially with large format) and wasn’t. The momentum has been lost. It’s like starting all over again.

This was a picture of roadside vegetation I took just before things disintegrated around me:

It’s the road to the old Victor Harbor rubbish dump and one that the poodles and I would walk along if it was too windy along the coast. I kinda liked the view towards the southern ocean through the fields as we walked down the road through farmland towards Rosetta Head.

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October 24, 2012

Cannon St

After returning to Adelaide from painting the weekender at Victor Harbor Ari and I walked the streets of the CBD around the Central Market Precinct. It was the late afternoon walk and I was looking for some ideas to continue working on the Adelaide book.

Daylight saving had just started and there is now light in the city until after 7pm. Summer is just around the corner. The urban light has changed and become more hard edged. I stay in the shadows more.

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September 29, 2012

between the showers

Southerly storms have been hitting the southern coast of the Fleurieu Peninsula since Thursday night. The south westerly winds have been very strong whilst the showers of the last day have been frequent and intense. So it is a matter of trying to walk between the showers and staying away from the cliff tops.

We had one such moment yesterday on the late afternoon walk:

We strolled around the Victor Harbor rubbish dump trying to avoid all the mud, and keeping an a eye on the clouds rolling in. We only had 20 minutes or so between the showers. So there wasn’t much chance to experiment with a digital camera.

September 19, 2012

wandering in Bowden

Ari and I wandered around Bowden late this afternoon.

I’d gone there to check out Fontanelle, as I understood that there was a darkroom there and workshops on alternative technologies, processing and printing called The Analogue Lab. I was looking for a darkroom in Adelaide to develop my 8×10 black and white sheet film. I presumed that this photographic facility is run in association with the Fontanelle Gallery and Studio in Bowden. Everything was closed.

So Ari and I went walking around the streets. I took a few snaps. This picture of industrial forms (Conroys Smallgoods) was in Sixth Street, just down the road from Fontanelle before the Drayton Street corner. I used to work at Conroys when studying at Flinders University and the money I earned there enabled me to set myself up with different types of large format cameras.

Bowden was located close to the city, park lands and the train line and it is where I used to live and work in the 1980s. I had a photographic studio and darkroom in Gibson St near Seventh St, and I used to walk around the area and photograph it with medium and large format cameras. I also spent a lot of time walking in the western parklands with Fichte, my standard poodle.

Though I’d develop the film myself, I was never much good at printing (ie., producing a fine print), so I never exhibited the work about Bowden as a place. I just built up an archive of negatives in a filing cabinet. I’ve started to revisit and to digitalize.

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September 2, 2012

Encounter Bay: 7am

Ari and I cruised the beach at Encounter Bay this morning at sunrise. It was a warm spring morning. The tide was low, the sun light was soft because of the cloud cover, and there was no wind. There was no one around and we had the beach to ourselves. The clouds disappeared and the wind came up after we’d finished our walk.

These rocks are along the foreshore. They are part of a large mass of rocks that had been put there by the council long ago to protect the footpath along Franklin Parade from the sea. They gleamed in the early morning light. I couldn’t resist taking a snap.

I’ve come down to Victor Harbor after hanging some pictures of the Fleuriu Peninsula in the Tin Shed Cafe in McLaren Vale as part of the Shimmer Photography Festival. It’s very low fi because I cannot afford to have a large exhibition with a substantial body of work. I have to work towards it.

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August 13, 2012

roadside vegetation

I’d recovered sufficiently from the torn ligament in my lower back to be able to walk with Ari on a back country road on Sunday afternoon, and to use the digital camera to explore the roadside vegetation for future photographic possibilities with a large format camera.

It was a back road that we’d walked with the dogs many years ago, but I’d forgotten about it until I started working on this project. I started it on the Saturday whilst at Encounter Studio in Victor Harbor, and it emerged out of this previous post on poodlewalks.

These back country roads that run between farmland (mostly dairy cattle) are roads connecting the main cross country across the Fleurieu Peninsula. There is no sense of the Romantic sublime here amongst the little pockets of remnant roadside bush.

This is agricultural land that has been mapped and subject to human intervention and there is little sense of aboriginal presence. It is what the English would call countryside, and it is all about property ownership with its various fences and gates.

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July 31, 2012

walking on a country road

When we were down at Victor Harbor last weekend Ari and I walked along the back country roads on one of our afternoon walks. It was quiet and peaceful with very little traffic–a healing walk through nature. It had been raining and the roadside vegetation looked green and refreshed. As we walked along I started taking a few photos whilst I waited for the sun to go behind a cloud for a large format shoot I had in mind.

There were no conversations on the country path but there was a poetic receptivity to place.

I find the Australian bush very hard to photograph and so I tried to simplify things as much as possible. ‘Walk down a country road on the Fleurieu Peninsula and take ten modernist photographs of pink gum and a Xanthorrhoea’ was the rule I set up. Ari was more interested in taking on the bulls.

In performing this instruction I thought that most writing on Australian photography was in the art history mode that assumed artistic autonomy, authorial agency, medium specificity and its conventions. The photographic art historians –eg., Helen Ennis and Gael Newton— make little or no reference to conceptual art and its core idea that the locus of the work was deemed to be the idea or statement with the work being a performance of that statement.

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