A lo fi visual diary
We are at Victor Harbor for the Australia Day weekend. Most of the afternoon was spent in the digital suite of Encounter Studio getting the iMac up and running after its hard disc was replaced through Apple’s Seagate call back programme.
The late afternoon poodlewalk along the cliff tops to what we call Dog Beach was a quick one. The rock studies that I took basically picked up from where I’d left off before we went to American River on Kangaroo Island.
The poodlewalk on the last day of our holidays at Victor Harbor was spent mooching around the reserve opposite the studio. The southerly winds had dropped and the days were bright and sunny. It was perfect summer holiday weather for those wanting fun at the beach. Suzanne went for her first summer swim before we left.
I had a sense that a heatwave was coming Adelaide’s way so I spent what time I had photographing leaves and bark in the early morning:
I made number of studies of bark abstracts in both colour and black and white in both medium and large format.
We returned to Kings Head for yesterdays poodlewalk so that could make more photos. It was overcast and cool, but the south westerly was still blowing too hard. I could only work in sheltered areas–behind a rock formation that protected me from the wind.
Mine is such a different approach to this DSLR style of landscape photography that relies on extensive post-processing. I am also much more interested in the detail of the landscape rather than the landscape itself.
The temperatures have cooled and it is possible to start a poodlewalk around 5.30-6pm, walk to a location and take some photos. Ari and I walked to Kings Head yesterday afternoon, and I took a few snaps— plus some studies for large format photography.
It’s a favourite section of the coastline of the Southern Fleurieu Peninsula, and I have made a number of photographs there. There is something about the location that keeps drawing me back, but I am not sure what that something is.
I was up early this morning–around 4.30 am. I uploaded a photograph for the sea abstraction book that I’m working on, then went out to make some studies for a large format shoot. I was on location at the rocks at the end of Kings Beach Rd by 6am. It was a brilliant morning.
I had around 2 minutes to work in before the shadows disappeared from the shoreline and the scene went flat. I also had about an hour or so to do photography as the coolness of the morning and the slight sea breeze were to be replaced by a hot north wind and temperatures in the high 30’s.
Our holiday at Victor Harbor started today with Suzanne and Ari walking around Petrel Cove and Rosetta Head whilst I did an early morning walk in the township with a camera. I was waiting for the Farmers Market to open at 7.30am so that I could buy some fresh vegetables and fruit.
This style of beachside house–from the 1940s or earlier?— will soon be history. It will eventually be pulled down to make way for a beachside style McMansion that will probably be rented out.
Ari and I have come down to Victor Harbor to escape the Adelaide heat and to scan a 5×7 negative for a print that has been selected for the Adelaide City Council’s Snap Your City competition. It is refreshingly cool and pleasant on the coast. Summer has arrived in South Australia.
This seascape work is topographical in that represents the surface of a landscape and a place–topographical in the sense of place (topos) and modes of perception (tropos). These are small gestures in a specific place.
Gestures in the way of a map that is not ‘mimetic’ – ie., will not straightforwardly represent the actual space, but one that reflects or expresses the distortions and omissions of the individual’s personal experience of living in this place now being affected by climate change.
Suzanne is currently in Brisbane for a conference whilst Ari and I are down at Victor Habor. We return to Adelaide today.
The days are still coolish, overcast, and with south easterly winds. The tide has been very low at this time and so we can venture further out on the reef.The evening walks now happen between 6pm and 8pm because, with daylight saving, that is when the afternoon light along the coast softens.
The afternoon walks have been spent looking for material for the gallery and, in particular, this rock form which I’d snapped on a walk the last time we were at Victor Harbor. It looked suitable for the Victor Harbor book, and I wanted to see whether it was possible to reshoot it with a large format camera.
It was a small shape and I couldn’t remember where it was on the rock foreshore between Petrel Cove and Kings Beach. It took two evening walks and 4 hours to find it. I finally found it last night, around 7.30 pm, just as the sun was disappearing behind the hill.
On Tuesday I made a quick visit to Victor Harbor to install a new modem for Encounter Studio.
Ari and I managed to do an evening walk along the coastline west of Petrel Cove and east of Kings Beach; one that involved scrambling amongst the granite rocks on the foreshore and walking along a bit of a goat track on the cliff face that Ari had found. I was looking for a location at low tide to do some sea abstractions.
I’d seen this rusty gas bottle a year or more earlier and I noticed that the rust had become more intense. I was going to walk by because the digital photo I took then was pretty ordinary and bland.
On our early morning along the beach at Encounter Bay, Victor Harbor at 6am there was a hot and strong north wind, heavy cloud cover, and spots of rain. It was around 22-28 degrees. Ari walked in the sea to keep cool.
A cool change was on the way. It looked to be a storm coming in from the south west. Maybe even thunderstorms. Despite the wind gusts of 50 kph people were launching boats to go fishing on the southern ocean. Crazy.