I’ve been looking at my archives for pictures of the Adelaide CBD that would be suitable for the Adelaide City Council’s photography competition entitled Snap your city. It has to be a quality 8 x 12 inch print in a landscape format. Most of my urban work is in a square format or a vertical one.
Topham Mall, Adelaide
I have little urban work in the horizontal format. There are the odd 5×7 image. I have yet to scan some of these. I’ll scan some more on the weekend and see what I’ve got. I’ve scanned them because I have trouble with the colour of the picture using Lightroom, and so I’ve been converting them to black and white.
It’s back to hanging around the rooftop of car parks. With early summer almost here it is now possible to photograph on the roof after the commuters have picked up their cars and returned to the suburbs. Adelaide has really been dumped on in the last couple of decades as backward, provincial and boring. Nothing happens in the city of churches. Sydney and Melbourne are where it is at. So we don’t see the city for what it is. What we see is what it lacks.
Ari, Pitt St car park
The city is changing due to a post the global financial crisis mini building boom, even the fabled BP Billiton Olympic Dam mine, which the boosters said would have produced rivers of gold in the streets of Adelaide, has been put on hold indefinitely.
I’ve been glancing through Anne Marsh’s recent book Look: Contemporary Australian Photography since 1980 (2010) looking at what kind of photography of Australian cities has been done. This work is in the Space section of the text, which also includes suburbs, inhabitants (people in urban settings) and rooms as well as cities.
There is much more photography on suburbs than cities. Surprisingly the photographic representations of cities in the Marsh text is very thin. Disturbingly thin. Australian photographers, apparently, live in the suburbs not the inner city. When they turn to the urban their focus is on people, where they work in the humanist street photography tradition.
There is no text from Marsh on this mish mash of work by Daniel Crooks, Sandy Edwards, Rozalind Drummond, Robyn Stacey, Les Walking, Ian De Cruchy, Simon Cuthbert, Carl Warner and Kit Wise. There is more interesting work on Flickr.
Leigh St, Adelaide
Leigh St in Adelaide has been selected to become the Adelaide equivalent of a Melbourne laneway. It will be closed off to traffic with the hope that it becomes a vibrant space full of people eating, drinking and conversing with friends. The programme to make Adelaide a vibrant and lively place is called Splash.
I’ve been looking at this new architecture in King William Street off and on for a while. These new developments are a mixture of offices and apartments and they are an indication of the urban re development that is now happening in the southern end of Adelaide’s CBD.
I’ve tried a number of photographs of these buildings from the street. None have really worked. I needed elevation, such as the Southgate carpark. The previous shoot was during the fog, but the buildings looked too drab. They needed some urban light.
So I decided to see what they looked like in the late afternoon as everybody was leaving their offices to go home:
Southgate carpark, Adelaide
The idea I had was the play of the light afternoon light with a darkened sky. That didn’t happen yesterday but the light was there. It looks all too lush for me.
There was heavy fog in Adelaide this morning and it took until until midday to clear to a sunny day. I took the opportunity during peak hour to go and take a few picture of my local neighbourhood in the fog. I wanted to use a car park in Holland St that is only open on weekdays for some pictures of the southern part of the CBD.
fog, Gilbert St, Adelaid
It was a scoping exercise for a possible large format shoot as well as interest in what this part of Adelaide would look like in photographed in the fog. There was no sunshine until midday and so the lack of urban light meant that everything looked dull and flat.
I started taking photos after I checked my gear into the hotel —Oaks on Collins—along Flinders Lane. I had seen a carpark whilst walking on Collins St with my gear from the Southern Cross Station. I hadn’t taken much notice of it before, even though I walk Flinders Lane each time I’m in Melbourne.
Another day, another poodlewalk in the afternoon cruising car parks with Ari scoping for some different urban views of Adelaide for a large format shoot. Sad to say I have little to show for it.
Sebel Playford, Adelaide
This picture, the best of today’s bunch, was shot through the grill of the iron bars on the edge of the car park. I’m not sure that I could get a tripod close enough to the grill to poke the lens through the grill; or even if I would be able to get a large format lens through the grill.
I reckon I have found one location from my scoping for a large format urbanscape shoot with the 5×7 Cambo monorail. It is a carpark roof in Hindley St looking south along Bank St up to Currie Street.
Today Ari and I set out about 4pm to walk from our Sturt St townhouse to the Hindley St carpark to check out the late afternoon urban winter light in this location. It’s a soft light in winter in Adelaide–such a contrast from summer— and I wanted to get there just before the last rays of the winter sun disappeared. I wanted to see what this urbanscape actually looked like. The location looks a goer:
Bank St, Adelaide
I have chosen this time because I wanted people in the picture as opposed to photographing at night with no people. I was interested in people walking home to the railway after leaving work –looking small and overpowered by the mish mash architecture.
I’m back to exploring Adelaide skylines from the rooftop of carparks for future large format shoots. Ari was quite happy tagging along on his afternoon poodlewalk on this one –ie., riding in lifts and hanging out on the rooftops.
Ari, carpark
There is a bit of a construction boom taking place in the CBD—an urban renewal now that the money is beginning to flow to the developers from the banks. The views that existed before I left for Tasmania have changed. What were buildings that were having their foundations laid before I left now rise above the Pitt Street carpark roof.
Whilst taking photos of the city from the rootops of car park roofs or through hotel windows I’ve stumbled on high rise flats as well as offices.
The former often convey oppressive urban density with the washing drying on the balcony or glimpses of people moving around in their living room. Once–in the 1960s– tower blocks were the answer to a housing crisis but many people came to hate them. The blocks were poorly designed, had drug dealers and lifts dripping with urine, unsupervised kids, and kids running wild.
High Rise, Adelaide
The postwar modernist concrete cladding tower blocks were seen to be ghettos but they are now making a comeback.They have great views of the city and work for the young. The new towers benefit from the introduction of colour and texture.
