coastal debris

On Tuesday I made a quick visit to Victor Harbor to install a new modem for Encounter Studio.

Ari and I managed to do an evening walk along the coastline west of Petrel Cove and east of Kings Beach; one that involved scrambling amongst the granite rocks on the foreshore and walking along a bit of a goat track on the cliff face that Ari had found. I was looking for a location at low tide to do some sea abstractions.

rusty gas bottle

I’d seen this rusty gas bottle a year or more earlier and I noticed that the rust had become more intense. I was going to walk by because the digital photo I took then was pretty ordinary and bland.

picking up the pieces

I’ve recovered enough from my illness to start photographing again using more than a small hand held digital camera. I feel that I’ve lost most of this year and I’ve a deep sense of being wasted. There was so much that could have been done (especially with large format) and wasn’t. The momentum has been lost. It’s like starting all over again.

This was a picture of roadside vegetation I took just before things disintegrated around me:

tree + rubbish, Victor Harbor

It’s the road to the old Victor Harbor rubbish dump and one that the poodles and I would walk along if it was too windy along the coast. I kinda liked the view towards the southern ocean through the fields as we walked down the road through farmland towards Rosetta Head.

rock pools

Before we returned to to Adelaide from Victor Harbor Ari and I walked amongst the rocks just east of the road to Kings Beach. I was wanting to do more sea abstracts. I recalled that there was an area of the coast with a small stream from the hills flowing through the rock to the sea and that the rock pools had some strange colours.

The pools looked weird and strange. Were they were conducive to being photographed in the late afternoon?

pool abstract

How would the rock pools photograph as abstractions from nature? What kind of abstractions would emerge? I’d been glancing through Lyle Rexer’s The Edge of Vision:The Rise of Abstraction in Photography–it’s the first book in English to document and contextualize this canon.

Though some of the pictures are formal rather than abstract, and are concerned withe the medium of photograpahy I’ve been impressed by the diversity of the work.

salt abstract

The weather has been very stormy at Victor Harbor these last couple of days–cold, wet and very windy. I didn’t bother to do much photography on the morning and evening walks as it was mostly raining on these occasions.

salt abstract, Victor Harbor

The pictures that I did take before the wild weather came in have been deleted. They were mostly sea abstracts that I took for the book I’m working on and they were terrible.

re-tracing our steps

Last week, on one of our back country road walks looking for possible pictures for the conceptual photography book on pink gums and Xanthorrthoea, Ari and I stumbled across this scene:

roadside vege, Mt Hill Rd, Victor Harbor

It looked good on the computer screen–a candidate for the book— and so we went back on the following afternoon to reshoot it with a film camera. But I couldn’t find it, even though I searched everywhere. As I’d deleted most of the pictures on the SONY NEX-7 I couldn’t retrace my steps from the sequence of pictures. I returned the following morning and started from the other direction of the walk to no avail.

between the showers

Southerly storms have been hitting the southern coast of the Fleurieu Peninsula since Thursday night. The south westerly winds have been very strong whilst the showers of the last day have been frequent and intense. So it is a matter of trying to walk between the showers and staying away from the cliff tops.

We had one such moment yesterday on the late afternoon walk:

grasses, Victor Harbor

We strolled around the Victor Harbor rubbish dump trying to avoid all the mud, and keeping an a eye on the clouds rolling in. We only had 20 minutes or so between the showers. So there wasn’t much chance to experiment with a digital camera.

regionalism?

Ari and I went walking along a back country road west of Victor Harbor yesterday afternoon looking for more material for the conceptual photography book I didn’t find much in the way of the pink gum and Xanthorrhoea combination, but it was an enjoyable walk along Wilson Hill Rd. I found myself wondering how difficult it would be like to take pictures with a digital field view camera. Would it need to be tethered to a computer?

on Wilson Hill Rd, Victor Harbor

This part of the Fleurieu Peninsula region is dairy country and there is very little native bush left. This region been extensively cleared.

Thinking in terms of regionalism—the expression of a type of local identity—recalls the divisions between figuration versus non-figuration, and regionalism versus internationalism in the early 1970s where there was an identification of foreignness with non-figuration that was set against an emerging post-colonial regional cultural identity (Antipodeanism) that did not seek to create a national style.

on Jagger Rd, Victor Harbor

Ari and I came down to Victor Harbor today so that QuikFix Computers could install new digital backup technology for Encounter Studio. I’d been putting it off for ages. Silly me.

In the late afternoon Ari and I walked along Jagger Rd that runs parallel to the coastline.

Pink Gum, Victor Harbor

I’ve photographed this tree along the roadside a number of times with different cameras from different perspectives and lighting conditions. I’ve never really taken a picture that I find satisfactory. I find tree studies are hard. You can get obsessional.

McLaren Vale: Primo Estate

Suzanne, Ari and I spent the day in the McLaren Vale wine region taking in the various exhibitions in The Shimmer 2012 Photography Festival. It was organized around a birthday lunch for Suzanne at Penny’s Hill.

Primo Estate, McLaren Vale

I was really fascinated by Alice Blanch’s Box Brownie black and white landscapes where she is using the technology of another era with all its shortcomings as the basis for a new view of old subject matter.

Encounter Bay: 7am

Ari and I cruised the beach at Encounter Bay this morning at sunrise. It was a warm spring morning. The tide was low, the sun light was soft because of the cloud cover, and there was no wind. There was no one around and we had the beach to ourselves. The clouds disappeared and the wind came up after we’d finished our walk.

These rocks are along the foreshore. They are part of a large mass of rocks that had been put there by the council long ago to protect the footpath along Franklin Parade from the sea. They gleamed in the early morning light. I couldn’t resist taking a snap.

7am Encounter Bay, Victor Harbor

I’ve come down to Victor Harbor after hanging some pictures of the Fleuriu Peninsula in the Tin Shed Cafe in McLaren Vale as part of the Shimmer Photography Festival. It’s very low fi because I cannot afford to have a large exhibition with a substantial body of work. I have to work towards it.