Fleurieu Peninsula Archives - Page 16 of 20

January 13, 2013

at Kangaroo Island

Our 8 day holiday at Kangaroo Island started yesterday. We left Victor Harbor for Cape Jervis late morning to catch the Sealink ferry over to Kangaroo Island, and we arrived at American River in the mid- afternoon.

American River, which is on Eastern Cove, is very quiet and laid back. It is a fishing spot (recreational boating and fishing) that is still unspoilt by development. The houses (holiday homes and fishing shacks) are unpretentious, and the place is teeming with bird life–both seashore birds (eg., pelicans) and bush birds (eg. black cockatoos).

Pages: 1 2

December 30, 2012

plugging away

We returned to Kings Head for yesterdays poodlewalk so that could make more photos. It was overcast and cool, but the south westerly was still blowing too hard. I could only work in sheltered areas–behind a rock formation that protected me from the wind.

Mine is such a different approach to this DSLR style of landscape photography that relies on extensive post-processing. I am also much more interested in the detail of the landscape rather than the landscape itself.

Pages: 1 2

December 28, 2012

rocks + twig

The temperatures have cooled and it is possible to start a poodlewalk around 5.30-6pm, walk to a location and take some photos. Ari and I walked to Kings Head yesterday afternoon, and I took a few snaps— plus some studies for large format photography.

It’s a favourite section of the coastline of the Southern Fleurieu Peninsula, and I have made a number of photographs there. There is something about the location that keeps drawing me back, but I am not sure what that something is.

Pages: 1 2

December 23, 2012

Kings Beach: early morning

I was up early this morning–around 4.30 am. I uploaded a photograph for the sea abstraction book that I’m working on, then went out to make some studies for a large format shoot. I was on location at the rocks at the end of Kings Beach Rd by 6am. It was a brilliant morning.

I had around 2 minutes to work in before the shadows disappeared from the shoreline and the scene went flat. I also had about an hour or so to do photography as the coolness of the morning and the slight sea breeze were to be replaced by a hot north wind and temperatures in the high 30’s.

Pages: 1 2

December 22, 2012

Esplanade, Victor Harbor

Our holiday at Victor Harbor started today with Suzanne and Ari walking around Petrel Cove and Rosetta Head whilst I did an early morning walk in the township with a camera. I was waiting for the Farmers Market to open at 7.30am so that I could buy some fresh vegetables and fruit.

This style of beachside house–from the 1940s or earlier?— will soon be history. It will eventually be pulled down to make way for a beachside style McMansion that will probably be rented out.

Pages: 1 2

December 14, 2012

rock abstract

My 8×10 black and white negatives arrived today from Sydney, just before I was to leave Adelaide for Victor Harbor for the weekend. Several negatives have light leaks (damaged dark slides) or are fogged (dunno why) but most look okay. I’ll scan them tomorrow.

It was very still and muggy along the coast around Kings Head which is where we went for our evening walk. The rain had passed, the sticky flies were everywhere, and there was no cooling wind amongst the rocks. But the tide was low, lower than I’d ever seen it. So I was able to get amongst rocks that would normally be surrounded by surging water:

Ari and I were quite distressed by the heat so we returned to Kings Beach where we were able to cool off by paddling in the sea. Low tide means that I can take the 5×4 Linhof and the heavy duty tripod to this spot over the weekend.

Pages: 1 2

November 25, 2012

small gestures in specific places

Ari and I have come down to Victor Harbor to escape the Adelaide heat and to scan a 5×7 negative for a print that has been selected for the Adelaide City Council’s Snap Your City competition. It is refreshingly cool and pleasant on the coast. Summer has arrived in South Australia.

This seascape work is topographical in that represents the surface of a landscape and a place–topographical in the sense of place (topos) and modes of perception (tropos). These are small gestures in a specific place.

Gestures in the way of a map that is not ‘mimetic’ – ie., will not straightforwardly represent the actual space, but one that reflects or expresses the distortions and omissions of the individual’s personal experience of living in this place now being affected by climate change.

Pages: 1 2

November 15, 2012

coastal debris

On Tuesday I made a quick visit to Victor Harbor to install a new modem for Encounter Studio.

Ari and I managed to do an evening walk along the coastline west of Petrel Cove and east of Kings Beach; one that involved scrambling amongst the granite rocks on the foreshore and walking along a bit of a goat track on the cliff face that Ari had found. I was looking for a location at low tide to do some sea abstractions.

I’d seen this rusty gas bottle a year or more earlier and I noticed that the rust had become more intense. I was going to walk by because the digital photo I took then was pretty ordinary and bland.

Pages: 1 2

November 4, 2012

picking up the pieces

I’ve recovered enough from my illness to start photographing again using more than a small hand held digital camera. I feel that I’ve lost most of this year and I’ve a deep sense of being wasted. There was so much that could have been done (especially with large format) and wasn’t. The momentum has been lost. It’s like starting all over again.

This was a picture of roadside vegetation I took just before things disintegrated around me:

It’s the road to the old Victor Harbor rubbish dump and one that the poodles and I would walk along if it was too windy along the coast. I kinda liked the view towards the southern ocean through the fields as we walked down the road through farmland towards Rosetta Head.

Pages: 1 2

October 20, 2012

rock pools

Before we returned to to Adelaide from Victor Harbor Ari and I walked amongst the rocks just east of the road to Kings Beach. I was wanting to do more sea abstracts. I recalled that there was an area of the coast with a small stream from the hills flowing through the rock to the sea and that the rock pools had some strange colours.

The pools looked weird and strange. Were they were conducive to being photographed in the late afternoon?

How would the rock pools photograph as abstractions from nature? What kind of abstractions would emerge? I’d been glancing through Lyle Rexer’s The Edge of Vision:The Rise of Abstraction in Photography–it’s the first book in English to document and contextualize this canon.

Though some of the pictures are formal rather than abstract, and are concerned withe the medium of photograpahy I’ve been impressed by the diversity of the work.

Pages: 1 2