Melbourne: near Macaulay Station

The topographic shoot under the South East Freeway on Monday with the 5×4 near the Moonee Ponds Creek was not successful. It took me ages to get to the Macaulay Railway station on the Upfield line from Safety Beach.

I arrived about 11.30 am, set up the camera, took one picture, then the cloud cover disappeared and the midday sun came out. It was too bright for me as was working in dark shadow on the south side of the freeway. So I scoped the picture I wanted to take and packed it in.

near Macaulay Station, Melbourne

As I was leaving to go to the airport on the Skybus the cloud cover returned. Them’s the breaks, I thought.

funky Melbourne

The Melbourne trip is coming to an end. Suzanne leaves for Adelaide today, and I fly out early tomorrow afternoon. The few days have gone real quick.

This picture is from Thursday when I visited Smith St, Fitzroy. It’s a little cafe near Johnston Street where I had a quick lunch before meeting up with Stuart Murdoch at the Centre of Contemporary Photography:

cafe, Smith St, Melbourne

Whilst at the CCP I glanced through an old issue of UN. magazine, which featured the work of Eliza Hutchinson who was exhibiting some work in Gallery 3.

Melbourne: a hotel window view

Sunday was a day that Suzanne and I planned to spend together, so early this morning I took some pictures through the window of our room in the hotel. We are on the 15th floor of Oaks on Collins, which is in Melbourne’s CBD and are looking south to the Yarra River, Southbank and Crown Casino.

view from Oaks on Collins, Melbourne

There was sunshine this morning. I took some pictures because rain is forecast for the next couple of days and there may well be no sun tomorrow morning. Without the sun the urban light is dull and flat.

a “Kodak moment”

I just couldn’t resist. I was seduced by the light.

Sunday had been overcast, still and cold at Victor Harbor and on the evening walk around Petrel Cove the sun came out briefly. It illuminated the rocks at the base of Rosetta Head just before it sunk behind the hills. So I took a quick snap:

Rosetta Head, Victor Harbor

It is one of those “Kodak moments”–those most intensely personal moments of our lives that needed to be recorded for memory? Those times when you reached for a camera to stop life for a second, to grab a memory. Remember those when film was king and Kodak was dominant?

Analogue photography then became a piece of nostalgia with digital.Nostalgia turned into something old-fashioned. Old-fashioned became unfashionable. The unfashionable has become hip.

Hindmarsh River mouth

I’ve come down to Victor Harbor this weekend to scan some old large format negatives that I came across in a box in the storage room. I’d forgotten all about them. The 8×10 negatives are in okay condition. So are the 5×7 negatives. But the 5×4 negatives have deteriorated badly. I’m not sure why that would happen to the 5×4 negatives and not to the larger sized others. Thicker film?

Yesterday’s poodlewalk was around the mouth of the Hindmarsh River. This is a favourite spot for people to walk their dogs, and that meant that Ari could hang out with the dogs and I could take some photos of the beach:

Hindmarsh River mouth, Victor Harbor

It is one part of the coastline that is still in sunshine in the very late afternoon. In winter the light is soft and gentle.

a long way to go

As I have been slowly transferring the text and photos from the working draft of my Adelaide book on Tumblr to the Posterous micropublishing software I’ve realized that the image bank or archive of my photos of Adelaide’s CBD is rather thin. I actually don’t have that many pictures to work from.

So Ari and I have been walking the CBD on our poodlewalks so that I can use my digital camera (a Sony NEX-7) to build up the archive:

Bartels St, Adelaide

I have had limited success. It has been frustrating as I realized that most of the work has been been up high on carpark rooftops in the CBD looking at the texture of the built environment with some on shop windows and the West Terrace Cemetery. It has dawned on me that I have a long way to go with the Adelaide book.

Adelaide: looking north

Another day, another poodlewalk in the afternoon cruising car parks with Ari scoping for some different urban views of Adelaide for a large format shoot. Sad to say I have little to show for it.

Sebel Playford, Adelaide

This picture, the best of today’s bunch, was shot through the grill of the iron bars on the edge of the car park. I’m not sure that I could get a tripod close enough to the grill to poke the lens through the grill; or even if I would be able to get a large format lens through the grill.

stormy weather

I scanned the remaining 5×4 negatives from the Queenstown, Tasmania trip last night. They look good, given the wet conditions I was working under.

The weather at Victor Harbor this weekend has been stormy with lots of rain and wind from the south west. Ari and I got drenched on both the walks yesterday afternoon and early this morning due to heavy rain squalls.

early morning, near Kings Head

There has been little photography even though I carried the Sony NEX-7 with me. The weather was too wild to return to my favourite location at the base of the Newland Clifs on the Heysen Trail to explore the photographic possibilities with the 5×4 Linhof.

at Victor Harbor

I’ve come down to Encounter Studio at Victor Harbor this weekend to scan the 5×4 negatives from the Tasmanian shoot. Suzanne is staying in Adelaide this weekend.

Rain squalls were sweeping across Adelaide as we left, but the weather at Victor Harbor was sunny and a cool wind was blowing. Ari and I went on a poodlewalk along the cliff tops and the rocky foreshore. The tide was very high, there was more erosion of the dunes on the beach and the seals were hunting along the coast. There was the odd jogger but no southern right whales to be seen. The afternoon walk was very enjoyable after several weeks in the city suffering from the flu and hanging out in car parks.

looking towards King Beach

I got drenched from a rogue wave whilst I was taking photos of the rocks on the shore. I was so busy trying to figure out why the bloody Sony NEX-7 switches to video so easily that I didn’t see it coming.

urbanscapes

I reckon I have found one location from my scoping for a large format urbanscape shoot with the 5×7 Cambo monorail. It is a carpark roof in Hindley St looking south along Bank St up to Currie Street.

Today Ari and I set out about 4pm to walk from our Sturt St townhouse to the Hindley St carpark to check out the late afternoon urban winter light in this location. It’s a soft light in winter in Adelaide–such a contrast from summer— and I wanted to get there just before the last rays of the winter sun disappeared. I wanted to see what this urbanscape actually looked like. The location looks a goer:

Bank St, Adelaide

I have chosen this time because I wanted people in the picture as opposed to photographing at night with no people. I was interested in people walking home to the railway after leaving work –looking small and overpowered by the mish mash architecture.