Whilst walking along the coast of the southern Fleurieu Peninsula in South Australia this year I have been exploring how to photograph the fleeting character or the ephemerality of light in the early morning. These are photos of light, as distinct from photos of clouds or of seascapes, are a modest walking art project.
I started this modest walking art project in the late summer of 2022 and it continued through the winter. Poodlewalks is not dog walking as such, since the poodles often lead and I follow. In many ways it is as much their walk as mine.
I started this photographic approach to walking art around the time I was glancing through Melissa Miles’ The Language of Light and Dark: Light and Place in Australian Photography (2015), which I had borrowed from the Adelaide public library network.
Unlike many of the photographers in the book I didn’t see light as a metaphor. What I was seeing on my poodlewalks were the fleeting moments of light at Encounter Bay. Fleeting in the sense that the interplay of light and dark just before and after sunrise was brief: it would often last less than 5 minutes as the clouds evaporated and the darkness disappeared with the rays of the early morning sun.