My twice-a-day poodlewalks during the six weeks that Suzanne needed to wear her moonboot to help heal her broken fibula were hobbled ones. I was walking both standard poodles, but as I’d badly damaged my back early in that six weeks period I wasn’t able to walk very far. I could only shuffle along in those areas where the two poodles could run free and more or less look after themselves.
The photography was limited during this period. I just carried a digital camera and on many of the walks I wouldn’t even make a photo. Walking 2 poodles with a damaged back wasn’t conducive to photography.
This is one of the photos I did make whilst on a hobbled walk in part of the Rosetta Head Reserve. I would drive to Petrel Cove and then hobble my way around the reserve and through its scrubland in the early morning.
I would usually start this walk 30 minutes or so before sunrise when there was no one around. The walk would be in its final stages as the early morning sunlight flickered across the grasses in the reserve.
Another of the early morning walks involved driving to the carpark on the western side of Rosetta Head, then I’d slowly shuffling my way along its northern side until I reached the eastern end where I could look over Encounter Bay:
I would do this walk on those occasions when there was early morning cloud over the sea before sunrise. I would hope that there was nobody on the top of the Bluff viewing the sunrise, flying a drone or taking photos. I was able to hobble my way back to the car park on the western side of Rosetta Head, The clouds usually dissipated after sunrise, except when the rains swept in from the wast.
I decided to start photographing seascapes when the early morning poodle walks in Victor Harbor incorporated walking up and over Rosetta Head to Petrel Cove. Seascapes as distinct from photos of clouds or of light itself in that the sea becomes more central.
I started photographing with colour film (both medium and large format cameras), but the seascapes looked too picturesque, and rather touristy. Cliched, even when there was heavy cloud cover:
I was after something more ordinary and abstract, rather than beautiful, picturesque or iconic. So I started to use b+w film.
Whilst walking along the coast of the southern Fleurieu Peninsula in South Australia this year I have been exploring how to photograph the fleeting character or the ephemerality of light in the early morning. These are photos of light, as distinct from photos of clouds or of seascapes, are a modest walking art project.
Unlike many of the photographers in the book I didn’t see light as a metaphor. What I was seeing on my poodlewalks were the fleeting moments of light at Encounter Bay. Fleeting in the sense that the interplay of light and dark just before and after sunrise was brief: it would often last less than 5 minutes as the clouds evaporated and the darkness disappeared with the rays of the early morning sun.
Prior to a close contact requring the household have to go into 14 days quarantine/self-isolation during the Omicron wave Kayla and I walked up and over Rosetta Head (Kongkengguwar) one Saturday morning in early January.
The Rosetta Head walk happened after we’d already been walking in the local bushland in Waitpinga between 6-7 am. As it had been raining during the night and that morning the bushland was soggy and wet, but the colours were vibrant.
Whilst we were passing the all weather boat launching ramp when returning to the studio from the bushland I saw the rain clouds hanging over Encounter Bay. The morning clouds normally start breaking up an hour or after sunrise so I decided that these were hanging around and that they warranted photographing. I parked the Forester in the car park overlooking Petrel Cove and we quickly walked along the northern side of Rosetta Head then up to the top from the eastern side.