Xmas holiday comes to a close

The Xmas holiday at Victor Harbor is now over. We return to Adelaide and the routines of work this afternoon. The two weeks have given me the space and the time to find my photographic stride, to explore some new ideas and to wait for the suitable weather conditions for photography.

sea shells, Kings Beach

We’ve never spent two weeks at a time in Victor Harbor—its always been either 2 days on the weekend or the 4 days over the Easterbreak. Those two weeks gave me time to find new photographic locations, namely roadside vegetation and the rocks and foreshore around from Kings Head.

meandering on the seashore

The poodles and I meandered along the foreshore near Petrel Cove on our evening walk yesterday. I had the old Kodak Easyshare camera in my pocket and I used it to play around with a variety of closeups of the flora on the coast.

spiky grass

These are the kind of pictures that I cannot get with my film cameras as working from the tripod does not allow me to access the various knooks and crannies amongst the rocks. Yet some of the more interesting pictures can be found in the detail of the seashore.

walking along a country road

It is too hot to take photos at the moment. It’s extremely bright, with full sun, no clouds, and the temperature is around 40 degrees. It’s summer beach weather for the crowds of holiday makers I guess. I’ve given up walking along the coast on the later afternoon or early evening walk –it’s just too hot.

The picture below was taken whilst the temperatures were a temperate 25 degrees and there was some cloud cover in the morning and afternoon:

Heysen Trail, near Kings Beach

During the high temperatures of the last few days we’ve been walking along the coastal backroads. They are dusty but the remnant bush vegetation provides some sort of shade for us from the heat of the late afternoon sun. I can put up with the dust for some shade.

in the studio

My time since Xmas Day has been spent cleaning up, and reorganizing, in Encounter Studio and doing some photography around Victor Harbor early in the morning.The cleanup has also involved me starting to go through the archive of the black and negatives from the days when I used to have a darkroom and I processed my own film. I’m beginning to scan them.

I stumbled across this negative of Bowden in a box of old black and white 5×7 contact sheets. I would have tray developed the film. It was a pleasant surprise to see that the negative was in good condition and was properly exposed. I would have had other 8×10 negatives but I cannot locate them.

The picture below of the boatsheds at Second Valley, near Yankalilla in the Fleurieu Peninsula is in keeping with history, memories and archive as these no longer exist. They were pulled down around 2009.

boatsheds, Second Valley, Fleurieu Peninsula

They were a favourite subject of local photographers and much photographed:—I even think that there was some kind of photographic wake or meet just before they were pulled down.There is an in memoriam Flickr group.

Xmas day

Whilst Suzanne was walking the dogs along the cliff tops this morning I did a quick photoshoot with the 8×10 Cambo of the pier or causeway to Granite Island near Victor Harbor. As there was cloud cover with little wind it was an opportunity not to be missed.

Granite Island causeway

I had an old and very basic Kodak Easyshare point and shoot digital camera with me to take a few digital snaps. It is 5 megapixels has a tendency to fire the flash at any opportunity and runs on a couple of AA batteries. A digital version of Kodak’s old box brownie?

walking without a digital camera

I’m not posting many pictures from our poodlewalks since my digital camera was stolen in Melbourne. Although I’ve decided to go without one whilst I continue to just shoot film to see what happens, I do miss not having a digital camera with me.

Without one I don’t have any images from the daily walks, or from the photoshoots that I’ve been doing with the large format cameras. So I am relying on pictures –such as the one below—that have been taken on earlier walks.

lagoon, Hindmarsh River

I was exploring the lagoon near the mouth of the Hindmarsh River in Victor Harbor yesterday. I hadn’t been there for a while, and though it was around 6.30 pm, it was still hot and sunny. I recalled the above image and remembered that the bush was in the shade at this time of the day.So I went looking for the bush as part of the poodlewalk.

in the moment

We spent this weekend down at Victor Harbor, and the fine, early summer weather meant some long walks with the poodles along the beach that were coupled to me exploring the possibilities at the foot of the granite cliffs for rock abstractions.

cliff top walk, Victor Harbor

I was exploring these possibilities in order to use the 5×4 Linhof. I’m becoming increasingly comfortable with this style of photography and I want to devote more of my time and energy to it.

… if only I could remember

We had a 2-3 hour poodlewalk along the coast from Petrel Cove, Victor Harbor, yesterday afternoon. It was overcast and muggy, and I was looking for locations to shoot in black and white using the 8×10 Cambo monorail. I found one.

I also found this one on computer this morning, when I was writing on Landscapes, tourism, the picturesque for the Victor Harbor book.

rock face, near Petrel Cove

Unfortunately, I have no idea where this rockface is on the coastline. I just don’t recognize it. It looks suitable–and just what I want– but because I cannot recall its location I don’t know if it is possible to both get the 8×10 down there and to set it up.

at Victor Harbor

I’ve come down to Victor Harbor for a day or so to continue with the 8×10 large format seaside architectural photography series. I plan to photograph this heritage building tomorrow, weather permitting:

Esplanade, Victor Harbor

In the meantime I’m watching a live stream of the judging of the Epson Australian Institute of Professional Photography’s (AIPP) South Australian Professional Print Awards at the Orange Lane Studio in Norwood.

The commercial architectural shots in this competition are nothing like what I’m doing. Mine are very rough and ready compared to the smooth and carefully calibrated celebration of the architect’s work that the commercial photographers do for their clients. They go for the wow factor, but they do seem unreal in their perfection–almost iconic — compared to mine.