I’m using the rooftop locations of these car parks to work from to obtain views of the city skyline. I’m running out of locations and I need to find more. The locations I explored on Saturday, such as The Frome Street car park, weren’t that interesting in terms of the view they offered of the CBD.
We spent the long weekend just passed (Queens birthday?) down at Victor Harbor. I used the time on the afternoon poodlewalks to refine the focusing on the Sony NEX-7 and to explore its image quality. What I wanted to know was whether could I get most of the pictures I was taking in focus and, secondly, whether the larger sensor could handle landscape detail as good as 35mm film.
I mostly succeeded with the focusing issue–all were in focus. And I was pretty happy with the image quality of this picture. The 24.3 Megapixel sensor produces images that are an improvement on those produced by the 10 Megapixel sensor of the old Sony DSC R1 that I used to use.
I’ve decided to change my work flow for colour film photography.The old work flow wasn’t really working for me.
Instead of building up six to nine months work and then having it processed at a professional laboratory in one hit, I’ve decided to have the 35mm and 6×6 film processed on the day of the shoot. I can drop it off to Photoco’s one hour minilab in the Central Market on the way back from the shoot. The sheet film can be processed at the professional lab—Atkins Technicolour.
My reason is that it is cheaper, more convenient and I can quickly assess what I’m doing in terms of feedback. I did a dummy run on Friday to see how things would turn out:
I’m happy with the result. It works for me:
The carpets in the studio apartment in the city were being cleaned this morning so Ari and I went down to West Terrace Cemetery to fill in a couple of hours. I wanted to use the time to walk around the cemetery to sort out the focusing problems I’ve been experiencing with the Sony NEX-7 rather than express a general sense of foreboding within a utilitarian culture.
Up to now the focusing with my M mount Leica lens has been very hit and miss. I needed to figure out why and to find a more reliable way of working. 75% of pictures out of focus is not acceptable.
I’m finding manual focusing with the peak focusing technology slow work compared to using a Leica rangefinder. I’m also coming to realize that the Sony NEX-7 is not a point and shoot or a scoping camera for large format photography. It stands on its own.
After I finally found out how to get the Sony NEX-7 to take photos with a 35mm Leica M mount lens—-with some help from friends at Photoco in the Adelaide Central Market —-I wandered around with Ari taking some pictures.
The camera is a good fit in my hand, is easily portable and feels like a relatively affordable rangefinder-like camera with a built-in viewfinder.
Unfortunately for me 75% of them were out of focus, even though I used focus peaking. I found it to be fairly inconsistent or hit and miss. It was as if I got just an approximation and I needed some further refinement.
With Agtet gone Ari is listless and lonely. The poodlewalks have lost their sparkle and their joie de vivre. He just walks behind me. Last week he walked me down to the West Terrace Cemetery and then just stood amongst the gravestones looking for Agtet.
Atget, Ari and myself had often gone to the West Terrace Cemetery together in the late afternoon for our poodlewalks. It was one of our favourite walking places. I could take photos and the poodles could hunt for rats.
During the Xmas break at Victor Harbor I did some photographic studies of the road side vegetation on the back roads. These arose from searching for a place with some shade to walk the dogs away from the intense heat in the late afternoon. I just started looking at the shapes of the vegetation whilst walking down the dusty unsealed road. I was seeking new content–souping up my creativity or design juices.
The country side is basically all farmland—cattle and sheep– and what remained of the native vegetation was a strip along side the road. Even then a lot of that roadside vegetation had been cleared , and what remains is gradually degenerating.
The poodles and I meandered along the foreshore near Petrel Cove on our evening walk yesterday. I had the old Kodak Easyshare camera in my pocket and I used it to play around with a variety of closeups of the flora on the coast.
These are the kind of pictures that I cannot get with my film cameras as working from the tripod does not allow me to access the various knooks and crannies amongst the rocks. Yet some of the more interesting pictures can be found in the detail of the seashore.
It is too hot to take photos at the moment. It’s extremely bright, with full sun, no clouds, and the temperature is around 40 degrees. It’s summer beach weather for the crowds of holiday makers I guess. I’ve given up walking along the coast on the later afternoon or early evening walk –it’s just too hot.
The picture below was taken whilst the temperatures were a temperate 25 degrees and there was some cloud cover in the morning and afternoon:
During the high temperatures of the last few days we’ve been walking along the coastal backroads. They are dusty but the remnant bush vegetation provides some sort of shade for us from the heat of the late afternoon sun. I can put up with the dust for some shade.
We had a 2-3 hour poodlewalk along the coast from Petrel Cove, Victor Harbor, yesterday afternoon. It was overcast and muggy, and I was looking for locations to shoot in black and white using the 8×10 Cambo monorail. I found one.
I also found this one on computer this morning, when I was writing on Landscapes, tourism, the picturesque for the Victor Harbor book.
Unfortunately, I have no idea where this rockface is on the coastline. I just don’t recognize it. It looks suitable–and just what I want– but because I cannot recall its location I don’t know if it is possible to both get the 8×10 down there and to set it up.