It was a gentle sunny morning on the beach at Encounter Parade this morning. It had rained during the night, the air was moist, and there was no wind. Not surprisingly, everybody was out jogging and walking. I took some snaps of the seaside architecture:
I spent yesterday working on the Preface of the Victor Harbor book and setting up a simple Posterous style blog for the images that I will use in the book. So the book is under way. Thank goodness something is finally happening on this front.
I’ve come down to Victor Harbor for a day or so to continue with the 8×10 large format seaside architectural photography series. I plan to photograph this heritage building tomorrow, weather permitting:
The commercial architectural shots in this competition are nothing like what I’m doing. Mine are very rough and ready compared to the smooth and carefully calibrated celebration of the architect’s work that the commercial photographers do for their clients. They go for the wow factor, but they do seem unreal in their perfection–almost iconic — compared to mine.
I’m down at Victor Harbor this weekend going through some of my photos of the region. I reckon that I have enough images on the computer’s hard disc to begin to do something with them. I’m thinking about publishing them as an organized body of work.
I’ve finally taken the plunge and decided to begin work on a DIY book of photos and text of the Fleurieu Peninsula. I’ve started by using the Posterous Spaces publishing platform to kick things off.
The beaches at the foot of the cliffs west of Victor Harbor are mostly deserted outside of school holidays and public holidays so we can wander along them. When we are on a daily poodlewalk along the beaches around the cliffs west of Victor Harbor I’m usually looking out for interesting objects lying scattered on the beach. These are mostly seaweed, dead birds and shells.
Often I wonder what would these objects look like as a photograph.Sometimes I bring them back to Encounter Studio to do close ups. Other times I just photograph them on the beach and move on:
This particular one was constructed. I’d seen the crab on the walk up the beach in the late afternoon, then on the return, I wondered what it would look like sitting atop a cuttlefish bone.
I’ve chosen to work on a rock abstraction that kinda links back to modernism and, more particularly, to the stone walls of Aaron Siskind at Martha’s Vineyard. Siskind’s abstractions emphasized the formal qualities of the image’s lines, colors, and textures.
I’ve finally started scanning some of the 8×10 negatives that I’d exposed and then had developed by Blanco Negro earlier this year. This negative of this picture was overexposed–I’m having problems with getting the long exposures right– so I took the opportunity to play around with the digital file.
It was overcast with little wind at Victor Harbor early this morning. It looks as if a cool change is on the way with rain forecast.
So I was able to take the Cambo 8×10 out to take some black and white pictures of the local seaside architecture in my neighbourhood. It was something that I’d been planning to do for ages.
I have become interested in the old architecture of this seaside town in South Australia for heritage reasons and because they are a graceful form of regional architecture. The seaside residencies along the foreshore are rapidly being pulled down to make way for the McMansion reworking of the modernist style. So I’m documenting them before they are pulled down to make way for the new.
I haven’t taken a photo all this week. The camera has sat on the table. I haven’t even looked at it. I have been busy preparing prints for two exhibition and prints for some portfolio reviews for the Ballarat International Photo Biennale. That means sitting in front of a computer screen for long stretches of time.
Lucky for me it has been raining heavily most of the week. So I have selected a picture of shopwindow in my neighbourhood snapped on an earlier poodlewalk just before I went down to Victor Harbor. The weather was similar—rain with sunshine.
Normally my photography is within the crisp focus big depth of field tradition and I usually avoid the out of focus smudgy lens look. This image happened because a wave crashed over the top of me whilst I was photography a rock, drenching me in the process.
I pulled the camera away but it still got wet the camera in the process.The tide was high and the seas were big that day.
Though I dried the camera body and the lens,the latter was still rather smudgy when I was taking some shots of flowing water. That kind of picture is the result. It’s a poetic approach to photography that emphasises subjectivity.