too windy to photograph

It was very muggy early this morning in Queenstown. A very gusty north west wind was blowing. The locals say that rain and thunderstorms are on the way. If so, then this brings to an end to the spell of hot weather on the south west coast of Tasmania.

The large format photoshoot this morning didn’t turn out as planned. I went to the location above the town that I’d scoped yesterday. Although I managed to set the Linhof up, the gusts of wind blew the gritty white dust into my eyes and ears as well as into the camera.

photoshoot, Queenstown

I had to bail out and wait for another day and walked along the Queen River looking for possible photographic subjects of the contaminated river. It was protected from the wind and the light was soft.

in Tunbridge, Tasmania

The three or four days that we spent in Tunbridge in the Tasmanian Midlands allowed me to do a little bit of large format photography. I was able to scope out some suitable subject matter, including this salt lake:

Salt lake, Tunbridge, Tasmania

I basically ran out of time before I could come to grips with the arid landscape—its ever changing moods, cloud formations and light. This is the third time I’ve visited the Midlands and I’m becoming familiar with this landscape and its various representations.

in the studio

My time since Xmas Day has been spent cleaning up, and reorganizing, in Encounter Studio and doing some photography around Victor Harbor early in the morning.The cleanup has also involved me starting to go through the archive of the black and negatives from the days when I used to have a darkroom and I processed my own film. I’m beginning to scan them.

I stumbled across this negative of Bowden in a box of old black and white 5×7 contact sheets. I would have tray developed the film. It was a pleasant surprise to see that the negative was in good condition and was properly exposed. I would have had other 8×10 negatives but I cannot locate them.

The picture below of the boatsheds at Second Valley, near Yankalilla in the Fleurieu Peninsula is in keeping with history, memories and archive as these no longer exist. They were pulled down around 2009.

boatsheds, Second Valley, Fleurieu Peninsula

They were a favourite subject of local photographers and much photographed:—I even think that there was some kind of photographic wake or meet just before they were pulled down.There is an in memoriam Flickr group.

Xmas day

Whilst Suzanne was walking the dogs along the cliff tops this morning I did a quick photoshoot with the 8×10 Cambo of the pier or causeway to Granite Island near Victor Harbor. As there was cloud cover with little wind it was an opportunity not to be missed.

Granite Island causeway

I had an old and very basic Kodak Easyshare point and shoot digital camera with me to take a few digital snaps. It is 5 megapixels has a tendency to fire the flash at any opportunity and runs on a couple of AA batteries. A digital version of Kodak’s old box brownie?

along the Moonee Ponds Creek

I went photographing yesterday afternoon with Stuart Murdoch. The rain and heavy cloud cover cleared whilst I was travelling on the Frankston train into the CBD, and the bright sunshine put paid to the 5×4 car park rooftops scenario I had planned.

So we decided to explore around North Melbourne and Sunshine. We initially explored the areas along Railway Canal or the Moonee Ponds Creek in North Melbourne that I’d started to explore on an earlier trip.

overpass, Bolte Bridge, Melbourne

Luckily for me Stuart knew the area quite well as he had photographed in and around there about a decade ago. There is a bike path under the City Link overpass that provides walking access to the area under the Bolt Bridge over pass. The area has everything—nature, concrete architecture, industry, rubbish–and it is fertile ground for an Australian topographics style of photography.

studies for a 5×7 shoot

Sunday morning is allocated to large format photography. Today it was the urban variety. I waited for the rain to stop, then tried to get a 5×7 of Faraway House, around 8am but it was too late. To get the shot I had to stand in the middle of the road across from a major building site, but there was too much traffic. It could only be handheld work.

The light was all wrong anyway–the sun had shifted much further to the east than I had realized. So I tossed it in, and drove to the tramway overpass location on South Rd for the Adelaide-Glenelg tram. This would be a goer I thought in terms of the light and no traffic:

Tram Overpass, Glandore, Adelaide

This is an ideal location for a 5×7 shoot as everybody avoids the stairs and takes the lift to the platform to wait for the tram–they were all going to Glenelg this morning. As I walked around and found the ideal location the wind started, and it swirled around the platforms on the steps.

urban foto exploration

When I arrived in Melbourne last Friday around 6am it was raining, and it rained most of the day. I did some urban exploration with an umbrella and inbetween the rain showers I took some photos. In the early afternoon I stumbled upon this scene from the open roof of a car park.

Melbourne: looking west

I took a number of scoping pictures before the showers sweeping across the car park became too heavy. I thought that I could return here on the Sunday with the 5×4 Linhof, when Suzanne was at her conference. It wasn’t that far from the Oaks on Market hotel where we were staying.

Melbourne photo shoot

I’m preparing to return to Melbourne for four days for a photo shoot in large format urban photography.

I’ll be with Suzanne but I will squeeze in some photography whilst she is conferencing. I’m taking the 5×4 Linhof Technika and tripod to reshoot some of the skylines that I took on the earlier trip.

Melbourne, rooftop, skyline, digital, Sony
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I’ll be travelling overnight to Melbourne by Greyhound bus. It’s years since I’ve travelled on a bus–I normally fly– but the bus is the most practical way to get the large format photography gear over to Melbourne. It’s excess baggage on the plane and that is very expensive these days. So I’m basically accompanying the camera gear on the bus. I arrive in Melbourne at 6am.

8 x 10 photography: scouting and scoping

It is extremely windy on the south coast this weekend. It rained on Saturday morning and then a south westerly has being blowing hard. It is gale force strength along the clifftops. Though it is sunny,the windy conditions make it impossible to do any large format photography. I had planned to do an architectural shoot on Sunday morning.

This morning, whilst Suzanne was walking the poodles, I took the digital camera and went on a scouting and scoping trip for future work with an 8×10. There are two possibilities: this and this:

Franklin Parade

I’d been eyeing this building ever since they’d started building it a few months ago.It’s big and expensive, and it is turning out to be one of the better architectural examples of modern Victor Harbor. So I went and made a number of photographic studies of it to see what it would look like as a photograph on the computer screen.

8×10 and exhibition prints

My days of late have been taken up learning to scan 8×10 negatives into the computer with the Epson V700 and then working on refining the image in Photoshop. The aim is to make a 16×20 print for the Melbourne Silver Mine Inc’s forthcoming Unsensored11 exhibition at the Collingwood Gallery in Melbourne.

rock face

I’ve chosen to work on a rock abstraction that kinda links back to modernism and, more particularly, to the stone walls of Aaron Siskind at Martha’s Vineyard. Siskind’s abstractions emphasized the formal qualities of the image’s lines, colors, and textures.