A recent afternoon poodlewalk in the local Waitpinga bushland in the southern Fleurieu Peninsula incorporated an 8×10 photo session. This session was a response to a disappointing one in the Spring Mount Conservation Park the previous day. Then I never even took the 8×10 out of the Forester. I had been hoping for misty conditions when I was driving there, only to encounter light rain when I was walking around.
It is more accurate to say that on the Waitpinga poodlewalk the photo session was first and the poodlewalk with Maleko came afterwards. I carried the camera equipment to the site, made the photo, returned the equipment to the Forester, then Maleko and I went on a walk through the bushland.
It is mid-spring. Daylight saving has started and the new concrete causeway to Granite Island is nearing completion. The Sculpture by the Sea park on the island has been dismantled by the Victor Harbor Council on the grounds that it was unpopular in the local community. The rains have stopped, the days are becoming warmer, there is less cloud around in the late afternoon, the light now is stronger and more contrasty. There have been no really hot days so far.
Whilst I have been wandering around the coast and the bush I have been watching this seal carcass slowly decay:
The poodles are fascinated by it–especially Maleko. They go charging ahead of me on the rocks as we head in the direction of the carcass from Kings Beach lookout. Thankfully, they do not try and eat the carcass. They just dance around it.
We are at the mid-February point of summer and the weather has been more of the same: cool and overcast with just the odd hot day with a north easterly wind. The hot weather started this week but it is forecasted to last for only several days this week — not the normal two weeks. Maybe that will come in March.
At the moment I ‘m running my film stock down before I make the major annual purchase through B+H in New York. I have only half a box of the 5×7 Kodak Portra 160 ASA left.
It’s been a matter of selecting the location, knowing the time the light shines on the trees, setting the camera up, then waiting for the light to shine through the trees at the required time. Often the moving cloud cover means that there is no sunlight. So the large format equipment is packed away in the Forester and I continue the poodlewalk with Kayla.
After returning from the Wellington trip the early morning poodle walks in Victor Harbor have been around Rosetta Head (The Bluff). We—Ari, Kayla and myself– have started walking on the Bluff at sunrise. This is just before 6am during the early summer months.
Ari and I went walking along a back country road west of Victor Harbor yesterday afternoon looking for more material for the conceptual photography book I didn’t find much in the way of the pink gum and Xanthorrhoea combination, but it was an enjoyable walk along Wilson Hill Rd. I found myself wondering how difficult it would be like to take pictures with a digital field view camera. Would it need to be tethered to a computer?
This part of the Fleurieu Peninsula region is dairy country and there is very little native bush left. This region been extensively cleared.
Thinking in terms of regionalism—the expression of a type of local identity—recalls the divisions between figuration versus non-figuration, and regionalism versus internationalism in the early 1970s where there was an identification of foreignness with non-figuration that was set against an emerging post-colonial regional cultural identity (Antipodeanism) that did not seek to create a national style.
I scanned the remaining 5×4 negatives from the Queenstown, Tasmania trip last night. They look good, given the wet conditions I was working under.
The weather at Victor Harbor this weekend has been stormy with lots of rain and wind from the south west. Ari and I got drenched on both the walks yesterday afternoon and early this morning due to heavy rain squalls.
There has been little photography even though I carried the Sony NEX-7 with me. The weather was too wild to return to my favourite location at the base of the Newland Clifs on the Heysen Trail to explore the photographic possibilities with the 5×4 Linhof.
I reckon I have found one location from my scoping for a large format urbanscape shoot with the 5×7 Cambo monorail. It is a carpark roof in Hindley St looking south along Bank St up to Currie Street.
Today Ari and I set out about 4pm to walk from our Sturt St townhouse to the Hindley St carpark to check out the late afternoon urban winter light in this location. It’s a soft light in winter in Adelaide–such a contrast from summer— and I wanted to get there just before the last rays of the winter sun disappeared. I wanted to see what this urbanscape actually looked like. The location looks a goer:
I have chosen this time because I wanted people in the picture as opposed to photographing at night with no people. I was interested in people walking home to the railway after leaving work –looking small and overpowered by the mish mash architecture.
It’s been raining heavily and consistently this last week in Adelaide. Winter has arrived. So I haven’t been out photographing in the CBD much. However, I did find a couple of car parks in Adelaide’s CBD–Hindley St and Playford—- on a poodlewalk last weekend.
I checked them out again this afternoon for their possibilities for large format urban photography using my 5×7 Cambo monorail.
There are some. The open roof of Hindley St car park is one, and it will require some planning as its open roof ohas a wire grill around it, and I’ll need to use a step ladder to get myself above it.
After the residency finished at LARQ in Queenstown we travelled across to Tunbridge in the Midlands for the night with Barb and Mal. I had a little time in the late afternoon to briefly scope for a 5×4 afternoon picture of the salt lake.
Then we travelled to Bruny Island for a couple of days holiday. Whilst the others did some bush walking in the South Bruny Island National Park I explored the sandstone cliffs at the edge of Adventure Bay.