Category: people

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Brunswick St, Melbourne

One of the pleasures of my recent phototrip in Melbourne was walking around Brunswick Street in Fitzroy with a digital camera. It was liberating after the discipline of large format photography.

I was returning to old haunts, as I used to live in nearby Gore Street whilst studying at the Photographic Studies College in Southbank, and working on the Melbourne trams. I started learning how to do photography (then 35mm black and white) on the grungy streets in, and around, Fitzroy.

Brunswick St, Melbourne

This time I was discovering Brunswick Street afresh as a photographer— exploring a world I knew, yet didn’t know, because so much had changed since I’d lived in Fitzroy.

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photography + surveillance

When I was in Melbourne I used to board the train at Frankston and travel daily up the city to do my photography. Since it I took around an hour I used to take photos through the windows. I took the photo below whilst the train was at Frankston station. It was just before it was due to leave for Flinders Street station, stopping at all stations.

Frankston

It is a pretty ordinary photo of a banal shopping strip in Melbourne’s suburbia. Within seconds I was surrounded by 3 Victorian police wanting to know what I was doing. Taking photos in public is now a suspicious activity even when there is no obvious security buildings close by. I was placed in the position of having to defend what I was doing.

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adult products

I’m off to Ballarat and Melbourne tomorrow morning for 6 days. I’m minding the Woolshed gallery for the Melbourne Silver Mine Sets Show on Saturday. This is part of the Fringe Program of the Ballarat International Foto Biennale.

I then pick up my prints in the exhibition on Sunday, and stay on in Melbourne until Thursday to do some urban photography in the CBD:

adult products

I’m picking up where I left off when I was over there about a month earlier: I’ll be poking around in the grungy alleyways off and around Flinders Lane and exploring the architecture of the city in Australia.

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preparing for Melbourne

As I am due to return to Ballarat and Melbourne at the end of this week, I’ve come down to Victor Harbor for break to allow the poodles to get into hunting mode and to look at the street style and architectural photos that I took when I was there couple of weeks ago.

I don’t have that many images on the computer’s hard disc, as I only took a few, and most of the ones that I did take were quickly eliminated. That is digital photography: edit, edit, edit.

Lydiard St Nth Ballarat

After spending the weekend in Ballarat for the International Foto Biennale I will stay in Melbourne for several days to take photos in the central business district. I plan to concentrate on skyline photos, as most of the photos that I took through the train windows didn’t really work.

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AAMI

How do you order the chaotic flow of the city? How do you arrange the different elements in the picture plane so that relate to one another in some coherent fashion?

I avoid “street photography”–that is, representing the everyday flow of the city — because I cannot satisfactorily resolve the above problems. I started working by sitting in a tram and taking shots but I found that very limited.

Sturt St, 5.30pm

The next step was to stand in front of a building and wait for someone to walk past. That didn’t work that well for me as I wanted to cram more urban stuff into the picture plane. The city is full of flowing stuff–eg., ever changing and moving events and situations.

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Hindmarsh River, Victor Harbor

This study for a 5×4 shoot was done before I left for Ballarat last weekend.It is of the estuary and the mouth of the Hindmarsh River at Victor Harbor. It was taken around 4.30 pm. A few minutes later and the sun’s rays disappeared.

Hindmarsh River, Victor Harbor

I went back the next day around the same time and took a similar shot with the Linhof 5×4. Of course, the man who was fishing the day before was no longer there. It’s not a memorable image, but it is part of my exploration of the coastline in my local neighbourhood and the Fleurieu Peninsula.

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on the road

I’m travelling between Safety Beach on the Mornington Peninsula, Melbourne to Ballarat on Sunday (24th) and Monday (25th) to participate in workshops on photographic book publishing and portfolio reviews.So my photography is limited to what I can take whilst I am on the road.

Southern Cross Railway Station

This was taken Sunday morning at Southern Cross Station whilst I was waiting to catch the train to Ballarat for the workshop by Blurb on DIY photo books. I am thinking of doing one and wanted a bit of help.

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from a tram

I got tired of the rigors of urban large format photography after a fruitless day hunting for new locations. So I jumped a tram, found myself a window seat, then snapped away through the window as the tram moved through the city.

Monday afternoon

It was liberating. Many of the pictures were no good in terms of composition but others indicated the possibilities of this way of taking photography. I had tried this approach in Canberra on a bus, and in Melbourne on a bus and train but they never really worked. It was hit and miss.

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archives

I’ve been going through my Flickr archives looking at my urban photos to see what kind of project lies buried within them. Would there be anything, or are they just a series of casual snaps? My feeling was that they are just a series of casual snaps as I walk through the city.

resting
Gary Sauer-Thompson, Adelaide CBD resting, 2008

This is a good example. It was taken in January 2008–high summer. It was hot that afternoon and it looked to be a good image. So I took a snap with a digital camera. I then just moved on to take another snap as I wandered around the streets camera in hand.

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street photography

I don’t do that much street photography, even though I live in the heart of this lawyer precinct in Adelaide. I’ve never had the confidence doing this genre with 35m film, let alone using medium format. It is pretty much hit and miss for me and film is too expensive for this kind of work.

Bean Bar, Adelaide CBD

Digital makes it so much easier to experiment and I can check the results on the spot whilst I wait for the next person to move into the urban space I’ve selected. Its convenient. However, the fundamental underpinning is very simple—film and its processing cost money, digital does not.

With the latter you can correct mistakes right away, experiment, try new approaches or techniques and have fun—and do so at no additional cost. It’s a no brainer.

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