Category: landscape

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bushland studies: the indistinct (“In’ei”)

This companion post to the previous bushland studies one is concerned with exploring the pre-modern Japanese aesthetic category of the indistinct (In’ei) in an Australian context.

“In’ei” refers to the state of dimness or shadow created when direct light is blocked, but it does not mean complete darkness. Rather, it is a state of faint dimness where the presence of light can be felt. Many of these aesthetic categories belonged to Japanese high culture and the aristocratic class .

in contrast, Jun’ichiro Tanizaki In Praise of Shadows (1934) argued that “In’ei” is rooted in everyday life as its ground is its the Japanese people traditionally living under these heavy roofs of thatch or tile, and spending much of their lives in the heavy darkness that hangs beneath the eaves. Tanizaki says that Japanese people traditionally lived under these heavy roofs of thatch or tile, and spending much of their lives in the heavy darkness that hangs beneath the eaves.

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Petrel Cove: Tourist development #2

The development pressure on the coastline around Rosetta Head continues and it takes the form of marinas, cruise ships and building tourist accommodation on agricultural land. As expected these forms of development give rise to political tension and conflict between economic development, heritage and environmental protection. These are currently managed within a single planning rule book  in which the policies reflect and align with the Government’s state planning policies that set out a framework for land use in South Australia.

Below is the text of the oral presentation that I gave to the Council Assessment Panel (CAP) of the Victor Harbor Council’s on Tuesday 9th May about the tourist development at Lot 2 Jagger Rd. The meeting’s agenda is here. Lot 2 is just west of Petrel Cove and it is the first paddock in the photo below. The other photos in this post are of the coastal rocks below Lot 2.

We were allowed 5 minutes to speak on the basis of our original written submissions and it was expected that new material would be presented, rather than just rehashing the written submission which had already been read by the expert panel members. I spoke to this text.

——-

Thankyou for providing me with a space to speak to the Tirroki development application in the context of the SA Planning and Design Code. This is the cornerstone of South Australia’s current planning system and it ‘s structure provides us with a way to judge developments within specific public criteria.

The Tirroki development consists of 5 well designed self-contained accommodation units, service building and associated infrastructure. Max Pritchard’s architecture is good tourist design and it will enhance the built environment at Encounter Bay, some of which is second rate and shoddily built.

I will make two points with respect to this tourist development in a rural zone with its 11 overlays.

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them’s the lucky breaks

My days during the first week of October have been spent in front of my old iMac computer struggling to get The Bowden Archives and Industrial Modemity into shape as a book project. The roots of the project are in an unfinished MA (in images and dissertation) at Flinders University in the 1980s. Unfinished because I’d put it and the photography to one side to do a PhD in philosophy.

The title of the proposed book has been recently changed in response to criticism that the original title The Bowden Archives and Other Marginalia was very misleading because it down played the non-Bowden sections.

I have been working on, and reworking, the No Longer, Not Yet text for the Roadtrips photo gallery, as this text has been causing me a lot of grief. I have only managed to produce a rough draft so far. Finally, this draft text does connect with the reset of the book, and at this stage, I am happy to count the small steps as big achievements. Giant steps in fact.

So there has been very little photography done over and above what was snapped whilst on the various poodlewalks:

Dep’s Beach, Waitpinga

Sometimes, on these walks, there were photo possibilities, other times there was nothing. It was pretty much hit and miss. Some days I don’t even bother taking the camera out of the car as I wanted to get the walk over quickly because I felt compelled to get back to the computer to keep working on the text. It’s like returning to being in PhD mode.

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photographing: large format

We are at the mid-February point of summer and the weather has been more of the same: cool and overcast with just the odd hot day with a north easterly wind. The hot weather started this week but it is forecasted to last for only several days this week — not the normal two weeks. Maybe that will come in March.

I have stepped up the training programme for the camel trek by walking Rosetta Head twice a week and climbing up steeper approach and been working on a website for the Bowden Archives and Other Marginalia. I have also taken advantage of the cooler weather to photograph roadside vegetation in the early morning with the 5×7 Cambo monorail. I have been inspired by Mark Darragh’s large format photos on Flickr.

Cambo5x7 monorail
am, Baum Rd, Waitpinga,

At the moment I ‘m running my film stock down before I make the major annual purchase through B+H in New York. I have only half a box of the 5×7 Kodak Portra 160 ASA left.

It’s been a matter of selecting the location, knowing the time the light shines on the trees, setting the camera up, then waiting for the light to shine through the trees at the required time. Often the moving cloud cover means that there is no sunlight. So the large format equipment is packed away in the Forester and I continue the poodlewalk with Kayla.

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summer 2021

It has been a very cool summer so far. The days have been overcast and windy with occasional rain. We have only had the occasional hot summer day. Maybe a more normal summer will come during the months of February and March.

The picture below was snapped at 7am on a Sunday morning at Petrel Cove in January 24th). It is not a typical morning: it was humid, the temperature was in the high twenties, and there was no wind. It rained latter in the day.

at Petrel Cove

My energies in this last month have been renovating the Mallee Routes website, working on The Long Road to the North blog, and putting The Bowden Archives into some sort of order. My days have been spent sitting in front of a computer screen.

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Rosetta Head

On Sunday mornings Suzanne changes her walking route. Instead of walking to and over Rosetta Head, she and Maleko do a loop walk: from Solway Crescent to Kings Beach Rd, along the coastal path or Heritage Trail to Petrel Cove, then back to Solway Crescent.

If the weather is cloudy or overcast on Sunday morning I take a break from my early morning walk with Kayla in the local bushland, or along Esplanade Beach, to walk up and over Rosetta Head.

On these occasions I often use the Sunday morning walk to Rosetta Head to make cloud studies and seascapes, though this is scoping is in a very exploratory sense. Rosetta Head provides a good vantage point for this kind of photography, but the actual scene that l do photograph depends on the type of light as well as the clouds.

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Waitpinga bushland

As part of building up some supplementary images as a background for the forthcoming online walking/photography exhibition at Encounters Gallery I have been photographing in a small patch of bushland in Waitpinga. I needed a contrast to the Littoral Zone images.

bushland, Depledge Rd, Waitpinga

The roadside vegetation that I see whilst walking the back country roads is limited in terms of photographic subject matter. So I have been wandering and exploring this bushland on both the early morning with Kayla and at the late afternoon poodlewalks with Maleko.

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Petrel Cove

During the Xmas summer holidays the population along the coast of the southern Fleurieu Peninsula trebles. The coast becomes Adelaide’s summer playground.

The beach at Petrel Cove will be full of people and families relaxing and having fun during the day, and we will no longer have this space to ourselves.

seascape, Petrel Cove, Victor Harbor

It becomes a space for us to avoid whilst on our poodlewalks. Unless we are there around sunrise or just after. That is when it is deserted.

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November: am

During the first two weeks in November the coast of the southern Fleurieu Peninsula has been buffeted by strong westerly winds. Only the odd days here and there have been without the wind. It is only in this third week of November that I have returned to walking along the beach around the mouth of the Inman River in the early morning or amongst the rocks west of Petrel Cove in the late afternoon.

Kayla, Esplanade Beach, Victor Harbor

It is usually quiet on the Esplanade Beach early in the morning. There are not very many people walking along this beach—just the odd local person walking their dog. So Kayla and I have the beach pretty much to ourselves.

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Agricultural landscapes

As mentioned in this post on my Encounter Studio blog I have started to explore the back country roads and the agricultural landscape in and around Waitpinga whilst on our afternoon poodlewalks. The Fleurieuscapes project needs to include the rural landscape in order to have some balance to the coastal images in the littoral zone. Most of the space of the Fleurieu Peninsula is an agricultural landscape consisting of dairy farms, grazing land for sheep and cattle, and the rapidly expanding vineyards.

I do struggle with photographing this subject matter, and most of what I see and then scope with a digital camera on our poodlewalks is boring and uninteresting, especially when I look at the digital files on the iMac’s computer screen. I am finding it to be a depressing and disheartening process.

One exception is this picture of pink gum, with a farm shed, silo and water tank along Pitkin Rd in Waitpinga that I came across on an exploratory afternoon poodlewalk with Kayla and Maleko:

Pitkin Rd, Waitpinga

This scoping picture was made in the autumn, when I first started to consciously explore the back country roads in Waitpinga. This picture of a dry, agricultural landscape works much better for me in black and white. The initial colour image looks too pretty and touristy–the photos would be what you would see in a feature in the glossy Fleurieu Living Magazine.

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