Category: signs

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word and way

One of the interesting aspects of Melbourne is its many laneways. You just don’t know what you will find when you walk down one. One I stumbled upon whilst exploring Chinatown and Little Burke Street was Heffernan Lane.This runs between Lonsdale and Little Bourke Sts between Swanston and Russell Sts, which is to say, between Greek street and Chinese street.

I walked past the “Commit No Nuisance” signs, on past the Kum Den Bar and Restaurant and Wing Cheong Food Service, then glimpsed what appeared to be a council No Parking sign:

Evangelos Sakaris, Untitled, Heffernan Lane

Heffernan Lane was the site of artist Evangelos Sakaris’s untitled installation for the City of Melbourne’s Laneway Commissions 2001-2002. Sakaris’s work involved the instalment along the lane of contemporary street signs bearing excerpts of ancient Greek and Chinese texts, to highlight the connections between these cultures.

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Melbourne’s rooftops

I’ve always found it hard to get under the surface of Melbourne when I’m there photographing. I’m more like a tourist exploring the alleyways, the street art, the beach huts along the Mornington Peninsula, or the shop windows–along with everybody else. I was getting nowhere.

Melbourne is being redeveloped at high speed–as if there is no tomorrow. This time I was more focused—I wanted to explore the old and new architecture before the old 19th century disappeared. It just didn’t happen on the first couple of days because I was on the street when I needed to be up higher.

from Curtin House

However, Andrew Wurster kindly took me on a photowalk on Wednesday afternoon in and around Little Burke Street and Chinatown on Wednesday afternoon. Andrew runs the fascinating Urban Photo Mag group on Flickr, and he has an intimate photographic knowledge of Melbourne’s CBD.

We decided to check out the urban views from the various rooftops of the old carparks before going on to Curtin House to have a drink at the rooftop bar in the late afternoon light.

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preparing for Melbourne

As I am due to return to Ballarat and Melbourne at the end of this week, I’ve come down to Victor Harbor for break to allow the poodles to get into hunting mode and to look at the street style and architectural photos that I took when I was there couple of weeks ago.

I don’t have that many images on the computer’s hard disc, as I only took a few, and most of the ones that I did take were quickly eliminated. That is digital photography: edit, edit, edit.

Lydiard St Nth Ballarat

After spending the weekend in Ballarat for the International Foto Biennale I will stay in Melbourne for several days to take photos in the central business district. I plan to concentrate on skyline photos, as most of the photos that I took through the train windows didn’t really work.

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AAMI

How do you order the chaotic flow of the city? How do you arrange the different elements in the picture plane so that relate to one another in some coherent fashion?

I avoid “street photography”–that is, representing the everyday flow of the city — because I cannot satisfactorily resolve the above problems. I started working by sitting in a tram and taking shots but I found that very limited.

Sturt St, 5.30pm

The next step was to stand in front of a building and wait for someone to walk past. That didn’t work that well for me as I wanted to cram more urban stuff into the picture plane. The city is full of flowing stuff–eg., ever changing and moving events and situations.

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making the shift to digital

I did an experiment this morning, now that Wednesday has become a gym free day.

I took my Leica M4-P film camera and the digital Sony DSC R1 with me when I went to the IMVS Pathology Centre at the Royal Adelaide Hospital to have a blood test. I wanted to see which one I used instinctively as a working photographer.

I started out using the Leica with a 35mm lens (a Summicron F2-ASPH) as I walked through the dense shopping precinct that is Rundle Mall. It was just as I would have done in my pre-digital days. But I actually ended up using the Sony a lot more. I did so without thinking about it. It was instinctive in a photographic sense.

exclusivity

The film Leica with its expensive lens was basically put away in favour of the pro-sumer digital Sony because the latter was more flexible, I could get more shots with the variable Zeiss lens, and I felt a lot more more comfortable experimenting with digital than film. Film costs money. Towards the end–on the way back through Rundle Mall after having the blood test—I only used the Lecia if I thought that I had a worthwhile image.

So this confirms what I said in my earlier post about using 35mm cameras. The shift to digital at this format is a worthwhile investment. That means the film camera is used in order to get that film look. Or the Leica ‘look’.

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Ballarat International Photo Biennale

I haven’t taken a photo all this week. The camera has sat on the table. I haven’t even looked at it. I have been busy preparing prints for two exhibition and prints for some portfolio reviews for the Ballarat International Photo Biennale. That means sitting in front of a computer screen for long stretches of time.

Gilbert St, Adelaide

Lucky for me it has been raining heavily most of the week. So I have selected a picture of shopwindow in my neighbourhood snapped on an earlier poodlewalk just before I went down to Victor Harbor. The weather was similar—rain with sunshine.

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street photography

I don’t do that much street photography, even though I live in the heart of this lawyer precinct in Adelaide. I’ve never had the confidence doing this genre with 35m film, let alone using medium format. It is pretty much hit and miss for me and film is too expensive for this kind of work.

Bean Bar, Adelaide CBD

Digital makes it so much easier to experiment and I can check the results on the spot whilst I wait for the next person to move into the urban space I’ve selected. Its convenient. However, the fundamental underpinning is very simple—film and its processing cost money, digital does not.

With the latter you can correct mistakes right away, experiment, try new approaches or techniques and have fun—and do so at no additional cost. It’s a no brainer.

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Bam, Pow, Zapp

Our responses to adverts in the city is often a blase one. In moving around the city we rarely distinguish individual advertisements from those of other campaigns and rarely `read’ the advertisement in a classic sense. It’s a defensive mode.

Pulteney Grammar

This is in spite or advertising companies producing urban mappings of the trajectories, speeds, social groups, and experiences in ways that are instrumentally oriented towards selling or promoting those urban `texts’ they write as efficient consumer-targeting material.

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snap shots

It has been raining in Adelaide for several days straight now. Autumn has gone, winter has arrived. I’ve been trying to take the 5×7 Cambo out between the showers to get some photos of the tree roots of Morton Bay Figs. But I’ve had no luck.

Meet the Whole Family

Although it is clear blue skies when I leave, the apartment, by the time I get to the location the showers are sweeping across the ground. It clears, but then it is too dark and the light is too flat. So I’m down to quick snaps whilst walking the dogs in the parklands.

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