The weather has changed in the last week. Though the gusty, coastal winds have continued, the day temperatures are lower, and the mornings and the evenings are cooler. There is now a briskness in the air in the early morning prior to sunrise, which is after 7am.
The picture below was made on an early morning walk along the Victor Harbor beach near Bridge Point and the mouth of the ephemeral Hindmarsh River. It is a popular spot for walkers.
Bridge Terrace is an older part of Victor Harbor. We were there on an early morning poodlewalk so that I could photograph the seaside architecture. Once that was done –there’s not that much to photograph — Kayla and I then wandered along the beach.
It has been a very cool summer so far. The days have been overcast and windy with occasional rain. We have only had the occasional hot summer day. Maybe a more normal summer will come during the months of February and March.
The picture below was snapped at 7am on a Sunday morning at Petrel Cove in January 24th). It is not a typical morning: it was humid, the temperature was in the high twenties, and there was no wind. It rained latter in the day.
I realise that I have been walking with the standard poodles and making photos on these walks for several years now (both in the city of Adelaide and the foreshore of the southern Fleurieu Peninsula), without ever understanding that what I was doing was working within the tradition of walking art.
When I came across the walklistencreate website recently, I realized that what I was doing was a part of this artistic tradition — without being aware of it. I just walked and photographed naively, set up a blog, and occasionally thought about making a photobook from what had been produced. But I got no further.
I did understand that the poodlewalks were a means of generating photographic work, and that this shaped my minimal approach to the post processing of the picture — ie., avoiding the glossing, toning and filtering to visual enhance the digital image.
What I wasn’t doing was consciously making an art piece or work — photos, sound, writing — for others to view, read, or listen to. I hadn’t gone beyond various blog posts, such as the ones on poodlewalks, or those on the Littoral Zone , to consciously view walking as a catalyst for my photographic practice. What I was naively inching towards was a marriage of writing and imagery in a photographic culture where most photographic bodies of work contain either no text or if there is text then its role is very severely limited.
I have moved away from walking in the local bushland or the back country roads. It is dry and dusty with brown snakes and the ground is full of grass seeds. I now walk along the coastline and the various beaches. This limits the possibilities that I have for film photograph.
Film photography has come to the fore now that Light Paths is up and running, and Thoughtfactory’s Newsletter #3 has finally gone out. I want to do some large format photography–using the 5×7 Cambo monorail–as I am tired of sitting in front of a computer screen all day.
The above coastal waterfall is one possibility that I have in mind. I checked the location out yesterday afternoon when I was walking with Maleko to Kings Beach. The water flow has eased now that the rains have stopped and the hot, dry weather is returning. That means it is now possible to stand on the rocks with a tripod—just.
On Sunday mornings Suzanne changes her walking route. Instead of walking to and over Rosetta Head, she and Maleko do a loop walk: from Solway Crescent to Kings Beach Rd, along the coastal path or Heritage Trail to Petrel Cove, then back to Solway Crescent.
If the weather is cloudy or overcast on Sunday morning I take a break from my early morning walk with Kayla in the local bushland, or along Esplanade Beach, to walk up and over Rosetta Head.
On these occasions I often use the Sunday morning walk to Rosetta Head to make cloud studies and seascapes, though this is scoping is in a very exploratory sense. Rosetta Head provides a good vantage point for this kind of photography, but the actual scene that l do photograph depends on the type of light as well as the clouds.
The afternoon walks through the local bush will soon be coming to an end as we came across a brown snake the other afternoon whilst we were walking along Depledge Rd in Waitpinga. I was surprised to see it on the side of the road because it was still late winter, and the day temperatures up to that date had not been that warm.
From now on the poodlewalks in the bush or scrub will need to be in early morning as its too cold for snakes. Kayla and I usually start walking around sunrise and I am looking out for the early morning light. It is changing.
The late afternoon walks with Maleko will, by and large, be along the coastal rocks between Petrel Cove and Kings Beach. We have to walk part of the way along the Heritage Trail to reach the rocks. As we have seen the odd brown snake along this path in the past, I keep an eye out.
The lockdown restrictions for the Covid-19 pandemic means that I can only travel in my local area, until the travel restrictions are eased (in mid-May?) to allow us to travel more widely within the South Australian borders. The permitted movement with the stay-at-home order is primarily for exercise. There are lots of people walking along the coastal paths in the Petrel Cove / Kings Beach area.
With the extensive economic dislocation and suffering from the Covid-19 lockdown, the political conversation has shifted to reopening the nation’s economy to ‘get the economy moving‘ as soon a possible. Rosy scenario’s abound. The federal Coalition government in Australia says it plans to return to its austerity and small state prescriptions –ie., cutting regulations, reducing taxes on business, a punitive cutting back welfare, and generally letting the private sector lead the economic restart. This, it is promised, will ensure that economic growth will proceed as before Covid-19. This assumes a sharp, V-shaped recovery.
During the lockdown I have been photographing in the Encounter Bay/Waitpinga area on the poodlewalks in both the morning and the evening. This digital snap was made on the morning of the 28th April before the rains came in from the south-west.
Whilst I was walking along Baum Rd with Kayla around sunrise I could sense that the rain was on its way. It held off until 3pm that afternoon, then it rained for most of the night. Luckily, the painters, who are painting the eves of the house, had just finished for the day. They won’t be returning until the following Monday, as the weather forecast is for continual rain for the rest of this week.
If Australians adhere to social distancing, if testing can be rolled out, and if enough masks and personal protection equipment can be produced, then there is a good chance that the country will be able to avert the worst predictions about COVID-19, and at least temporarily bring the pandemic under control. No one knows how long that will take, and though the curve of new cases is flattening, it won’t be quick.
Meanwhile the economy tanks. The global economic machine is built for growth, and it has been brought to a screeching halt. The economic shock has seen unemployment rise, businesses close down, and a grim economic global and national outlook for the rest of 2020. Civil liberties have been significantly curtailed, parliament adjourned, and the normal operations of the media are greatly restricted, meaning that it is more difficult for the public to access reliable information. Realistically, is simply not possible to thoroughly insulate an economy from the impact of a pandemic of this kind.
The most realistic scenario is that the world plays a protracted game of whack-a-mole with the SARS-CoV-2 virus, stamping out outbreaks here and there until a vaccine can be produced. There are no existing vaccines for coronaviruses—until now, these viruses seemed to cause diseases that were mild or rare—so researchers must start from scratch. The estimate is that it will take 12 to 18 months to develop a proven vaccine, and then longer still to make it, ship it, and inject it into people’s arms.
Kayla and I have started to walk along the various roads next to the various beaches in Encounter Bay so that I can photograph the seaside architecture. As these morning walks incorporate Hayborough, which is east of the Hindmarsh River, they can take several hours. The mornings have been overcast and the cloud cover has remained until 9am.
I have taken photos of the domestic seaside architecture before on previous beach walks, but not published any. I wanted to be a little more thorough. This house at 68 Franklin Parade is one that I have walked past many times, but I’ve never bothered to photograph it. It is quite secluded by the trees and bushes on the right hand side of the front of the property.
It stands out from the other beach houses on Franklin Parade because of the dark, brown wood, orange roof, and the trees. It is much darker and in deeper shadow than the other houses.