A lo fi visual diary
Our afternoon walk yesterday and today was spent checking out the open access car parks around Adelaide to see what views they offered of the city for the Adelaide book that I am working on.
I’m using the rooftop locations of these car parks to work from to obtain views of the city skyline. I’m running out of locations and I need to find more. The locations I explored on Saturday, such as The Frome Street car park, weren’t that interesting in terms of the view they offered of the CBD.
After I finally found out how to get the Sony NEX-7 to take photos with a 35mm Leica M mount lens—-with some help from friends at Photoco in the Adelaide Central Market —-I wandered around with Ari taking some pictures.
The camera is a good fit in my hand, is easily portable and feels like a relatively affordable rangefinder-like camera with a built-in viewfinder.
Unfortunately for me 75% of them were out of focus, even though I used focus peaking. I found it to be fairly inconsistent or hit and miss. It was as if I got just an approximation and I needed some further refinement.
Whilst we were in Melbourne waiting to see if Atget would recover from his operation I spent an afternoon on a photowalk with Stuart Murdoch along Gardiners Creek near, and under, the Monash Freeway.
We walked along a small section of Gardners Creek and the first stop was this old Toorak Rd bridge where the creek became more or less a drain, rather than a creek. It was what is called heavily urbanised. The creek has been degraded in much the same way as many of the other Melbourne eastern suburban waterways.
The last poodlewalk in Melbourne was done by car. On my previous visits to Melbourne I’d seen some architecture on the Nepean Highway that caught my eye, whilst I travelling on the Frankston train to the CBD. So we–Suzanne, Ari and myself— cruised the Nepean Highway from Frankston to Mordiallic looking for “Custom Framing” and a big bold blue building.
It was the day that we had Agtet, our grey standard poodle, put down. We were to drive back to Adelaide early the next morning, and we had heavy hearts and time on our hands. A phototrip in the car was my way of filling in the afternoon. Suzanne drove the car whilst I looked out for the building.
The insurance company has come good with the money to replace my stolen digital Sony DSC R1. Soon I will have another digital camera, either a Sony Nex-7 or a Fuji X-Pro1. I have chosen these two cameras because they have adaptors that allow me to use my Leica M lenses with them. It’s a stop gap until I can afford a Leica M9. Whenever that is.
It is unlikely that either of the above digital cameras will arrive in Adelaide before I leave for a phototrip to Tasmania in early March. So I will be shooting film only on that trip. But I cannot wait to start using digital again. I miss the convenience of digital and I’m not really enthused with scanning negatives.
This picture was taken on a photowalk one Sunday afternoon through the grounds of the University of South Australia’s City West campus. This is the southern or Fenn Place end of the Hawk Building.
This is one of the more interesting contemporary buildings in Adelaide. It was designed by John Wardle Architects (in association with Hassell Architects) and the southern end is an explosion of different forms that include sky bridges.
My exploratory wanderings in the CBD of Adelaide with a small digital camera are currently on hold, due to both the hot summer weather and not having replaced my stolen digital camera. This makes me uneasey in the sense of being disquiet—I should be walking the streets exploring, not stuck in front of a computer screen.
The picture below was snapped on a daily walk without the poodles at the beginning of summer in 2011:
I’m struck by how isolating the new apartments are. Each is contained within itself, so any contact or connecting with others comes digitally: with the mobile phone or email using mobile broadband. In this world of networked mobility people now walk the city streets looking at the pulsating screens of their smart phone, and they are only vaguely aware of what is around them. It appears that the virtual world is more important than the real world.
I’ve been working on an image in Photoshop for the Melbourne Silver Mine Inc’s forthcoming Unsensored11 show at the Collingwood Gallery 292 Smith Street, Collingwood, Melbourne in late November.
I’m going to use the exhibition to return to Melbourne for several days to continue with the large photography from car park rooftops that I had begun on the previous trip. I’m only scratching the surface.
When I arrived in Melbourne last Friday around 6am it was raining, and it rained most of the day. I did some urban exploration with an umbrella and inbetween the rain showers I took some photos. In the early afternoon I stumbled upon this scene from the open roof of a car park.
I took a number of scoping pictures before the showers sweeping across the car park became too heavy. I thought that I could return here on the Sunday with the 5×4 Linhof, when Suzanne was at her conference. It wasn’t that far from the Oaks on Market hotel where we were staying.
I was in Melbourne for four days for the photo shoot and it rained three out of the four days. Sunday was the only fine day. On Friday the temperature was 17 degrees, Sunday it was 33 degrees and on Monday it was back down to 18 degrees. On Monday it only stopped raining as I was leaving in the bus at 8.30pm.
I found the 5×4 gear (pack and tripod) heavy to lug around the CBD. I was mainly shooting large format between the showers, or before the rain started, and the bad weather meant that I didn’t get as much done as I would have liked. I pretty much walked to a pre-selected location, set up the Linhof, take the pictures, then move onto the next one pre-selected location.
I did a 5×4 version of this on Monday, before the wind came up and the rains swept in. It rained the rest of the day–just like Friday, the day I arrived. A large part of the time on Friday and Monday was spent on urban explorations with handheld (digital and film) cameras.
I’m preparing to return to Melbourne for four days for a photo shoot in large format urban photography.
I’ll be with Suzanne but I will squeeze in some photography whilst she is conferencing. I’m taking the 5×4 Linhof Technika and tripod to reshoot some of the skylines that I took on the earlier trip.
I’ll be travelling overnight to Melbourne by Greyhound bus. It’s years since I’ve travelled on a bus–I normally fly– but the bus is the most practical way to get the large format photography gear over to Melbourne. It’s excess baggage on the plane and that is very expensive these days. So I’m basically accompanying the camera gear on the bus. I arrive in Melbourne at 6am.