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along the Moonee Ponds Creek

I went photographing yesterday afternoon with Stuart Murdoch. The rain and heavy cloud cover cleared whilst I was travelling on the Frankston train into the CBD, and the bright sunshine put paid to the 5×4 car park rooftops scenario I had planned.

So we decided to explore around North Melbourne and Sunshine. We initially explored the areas along Railway Canal or the Moonee Ponds Creek in North Melbourne that I’d started to explore on an earlier trip.

overpass, Bolte Bridge, Melbourne

Luckily for me Stuart knew the area quite well as he had photographed in and around there about a decade ago. There is a bike path under the City Link overpass that provides walking access to the area under the Bolt Bridge over pass. The area has everything—nature, concrete architecture, industry, rubbish–and it is fertile ground for an Australian topographics style of photography.

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stranded in Melbourne

Things were working out fine in Melbourne.

The Melbourne Silver Mine Inc’s Unsensored11 exhibition had been hung, opened on Friday night at the Collingwood Gallery and opening night was a success. I’d seen the work at the Centre of Contemporary Photography and I was settling into urban photo exploration.

Southern Cross Station

Then my digital camera, wallet, credit cards etc, passport etc were stolen from the back of the gallery on opening night. It was a professional job. I was lucky that I still had the daily tram/train ticket in my pocket–its normally in my bag. So I was able to get back to my sister’s at Safety Beach on the Mornington Peninsula that night.

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returning to old locations

I’m off to Melbourne this week on the overnight bus with my exhibition print for the Melbourne Silver Mine Inc.’s exhibition of analogue photography at the Collingwood Gallery. The exhibition, entitled Unsensored11 opens Friday night.

I’m arriving Thursday morning and I’m staying on until Tuesday to do some large format urban photography, picking up from where I left off on the last visit.

Kings Way, Melbourne.

This particular picture wasn’t composed well. I was rushing because it was starting to rain and I couldn’t remember the digital image from the earlier trip. The negative also had bad light leaks.

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studies for a 5×7 shoot

Sunday morning is allocated to large format photography. Today it was the urban variety. I waited for the rain to stop, then tried to get a 5×7 of Faraway House, around 8am but it was too late. To get the shot I had to stand in the middle of the road across from a major building site, but there was too much traffic. It could only be handheld work.

The light was all wrong anyway–the sun had shifted much further to the east than I had realized. So I tossed it in, and drove to the tramway overpass location on South Rd for the Adelaide-Glenelg tram. This would be a goer I thought in terms of the light and no traffic:

Tram Overpass, Glandore, Adelaide

This is an ideal location for a 5×7 shoot as everybody avoids the stairs and takes the lift to the platform to wait for the tram–they were all going to Glenelg this morning. As I walked around and found the ideal location the wind started, and it swirled around the platforms on the steps.

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Adelaide skyline

I’ve been photo-walking the streets of Adelaide these last couple of days. Ostensibly it was to hunt down and photograph the various pasteups down by Peter Drews for his street art project entitled ‘Adelaide’s Forgotten Outlaws! I wanted to do it before the temperatures reached the high 30’s–which they are today.

Then I realized that I was really using this urban wandering to basically look for new locations for the Adelaide book I’m slowly putting together.

Globe, east end

I was looking for locations from car parks that would give me a skyline perspective for large format photography. I wasn’t very successful in my last exploration as I was looking for car parks with open roofs, but these are few and far between in Adelaide. This time I was happy enough to check out the car parks with open grills to see what kind of perspective they offered.

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… if only I could remember

We had a 2-3 hour poodlewalk along the coast from Petrel Cove, Victor Harbor, yesterday afternoon. It was overcast and muggy, and I was looking for locations to shoot in black and white using the 8×10 Cambo monorail. I found one.

I also found this one on computer this morning, when I was writing on Landscapes, tourism, the picturesque for the Victor Harbor book.

rock face, near Petrel Cove

Unfortunately, I have no idea where this rockface is on the coastline. I just don’t recognize it. It looks suitable–and just what I want– but because I cannot recall its location I don’t know if it is possible to both get the 8×10 down there and to set it up.

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Dog + Duck

On Friday morning I raced home after the gym, had a quick shower and breakfast, caught a tram packed with commuters, and went on a photowalk along Hindley St St on Friday morning. I caught a tram packed with commuter.

I wanted to continue finding more locations for a 5×7 shoot, to explore new territory, take some snaps and search for a suitable location to take a photo at 11.11.11.11

Duck and Dog, Hindley St

I tossed the photowalk in after the 11:11 shot of the Hawke Building because the light was too strong, and there was too much glare.

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early morning, Encounter Bay

It was a gentle sunny morning on the beach at Encounter Parade this morning. It had rained during the night, the air was moist, and there was no wind. Not surprisingly, everybody was out jogging and walking. I took some snaps of the seaside architecture:

beach house, Encounter Bay

I spent yesterday working on the Preface of the Victor Harbor book and setting up a simple Posterous style blog for the images that I will use in the book. So the book is under way. Thank goodness something is finally happening on this front.

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at Victor Harbor

I’ve come down to Victor Harbor for a day or so to continue with the 8×10 large format seaside architectural photography series. I plan to photograph this heritage building tomorrow, weather permitting:

Esplanade, Victor Harbor

In the meantime I’m watching a live stream of the judging of the Epson Australian Institute of Professional Photography’s (AIPP) South Australian Professional Print Awards at the Orange Lane Studio in Norwood.

The commercial architectural shots in this competition are nothing like what I’m doing. Mine are very rough and ready compared to the smooth and carefully calibrated celebration of the architect’s work that the commercial photographers do for their clients. They go for the wow factor, but they do seem unreal in their perfection–almost iconic — compared to mine.

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